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Lady in Satin—is made with affection, curiosity, and care. 
M. Ward, who sings in a hushed rasp that rarely registers above a murmur, may not be the first vocalist to leap to mind when thinking of modern equivalents to Billie Holiday. An Americana minimalist with a penchant for arty atmosphere, Ward appears to exist on an entirely different plane from Holiday, a singer who always seemed like she was mining the depths of her soul. It’s not just a difference of genre or era: there’s a chasm separating the two artists in terms of aesthetics.
Art doesn’t tend to follow a straight line, though. M. Ward fell in love with the music of Billie Holiday when he was leaving adolescence and gravitating toward 1958’s ....

Billie Holiday , Edward Redding , Jimmy Van Heusen , Tascam Portastudio , Sammy Cahn , Gray Ellis , Frank Sinatra Capitol , Great American , Great American Songbook , பில்லி விடுமுறை , எட்வர்ட் சிவத்தல் , ஜிம்மி வேன் ெசேன் , சமி கான் , ராய் நீள்வட்டம் , வெளிப்படையான ஸிநாட்ர கேபிடல் , நன்று அமெரிக்கன் ,