In Nikki Shaffeeullah’s A POEM FOR RABIA, three centuries of women come together to explore the currents of change that shape their lives. Expansive and thoughtful, it’s a fearlessly creative play as messy and complex as the themes of colonialism and queer womanhood it investigates, both to its major credit and minor detriment.
Though her style may not be for everyone, Woolley is clearly a talent to watch, displaying a range of abilities in her twisty, complex script. PAINT ME THIS HOUSE OF LOVE gives us a compelling situation, strong characters, and one truly blazing performance, but also the frustration of a conversation that never fully gets started.