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The side and sort of practice whatever i was practicing. larry: he didn t want to say i m not gay. he didn t understand why he said it and sydney you hear sydney say, you re saying it because it s in the script and i m telling you to say it. he said you should have told me that in the first place. larry: that was a hell of a movie. yeah, but the thing about movies that s so interesting is that you can, and i ve heard dustin hoffman talk like this. you can suddenly do something in a movie that s absolutely spontaneous and right there. like in dog day. when i was going to say attica, attica. well, i have to go out there and talk to a mob. and this guy burt harris, a great a.d., assistant director of sidly la met s comes up to me and says, why don t you say attica. just say attica because it just had happened where they went ....
Question, you know, and then but it won t get satisfied. and it goes on and goes on. but i knew enough to go off to the side and sort of practice whatever i was practicing. larry: he didn t want to say i m not gay. he didn t understand why he said it and sydney you hear sydney say, you re saying it because it s in the script and i m telling you to say it. he said you should have told me that in the first place. larry: that was a hell of a movie. yeah, but the thing about movies that s so interesting is that you can, and i ve heard dustin hoffman talk like this. you can suddenly do something in a movie that s absolutely spontaneous and right there. like in dog day. when i was going to say attica, attica. well, i have to go out there and talk to a mob. and this guy burt harris, a great a.d., assistant director of sidney lumet s comes up to me and says, why don t you say ....
Robbers in the bank and john s character says, i m not gay. i m not a homosexual. and john cassell says to sidney lumet, why do i say i m gay? why do i say i m not gay? and sydney looked at him and says, well then he started talking. knowing john, i know this is going to go on for a while, right? because i know john. i work with him. and sidney starts to satisfy his question, you know, and then but it won t get satisfied. and it goes on and goes on. but i knew enough to go off to the side and sort of practice whatever i was practicing. larry: he didn t want to say i m not gay. he didn t understand why he said it and sydney you hear sydney say, you re saying it because it s in the script and i m telling you to say it. he said you should have told me that in the first place. larry: that was a hell of a movie. yeah, but the thing about movies that s so interesting is that you can, and i ve heard ....
But i knew enough to go off to the side and sort of practice whatever i was practicing. larry: he didn t want to say i m not gay. he didn t understand why he said it and sydney you hear sydney say, you re saying it because it s in the script and i m telling you to say it. he said you should have told me that in the first place. larry: that was a hell of a movie. yeah, but the thing about movies that s so interesting is that you can, and i ve heard dustin hoffman talk like this. you can suddenly do something in a movie that s absolutely spontaneous and right there. like in dog day. when i was going to say attica, attica. well, i have to go out there and talk to a mob. and this guy burt harris, a great a.d., assistant director of sidney lumet s comes up to me and says, why don t you say attica. just say attica because it just had happened where they went into the prison and killed all ....
And sydney looked at him and said well they started talking, knowing john, i know this is going to go on for a while. sydney starts to satisfy his question but it won t get satisfied. and he goes on and on. but i knew enough to go off to the side and sort of practice whatever i wanted to he didn t understand why he said it. you hear sydney say, you re saying it because it s in the script and i m telling you to say it. larry: that was a great movie. the thing about movies that s so interesting, you can and i ve heard dustin hoffman talk like this. can you suddenly doing something in a movie that s absolutely spontaneous and right there. like in dog days when i was going to say attica, attica. ....