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She said, âIsnât he lovely? Lovely manners. Lend me your arm, Janet. Iâll just pop to the toilet while heâs gone, freshen myself up.â Then, with a girly, winsome smile, âNot that I suppose he cares!â Ninety-three, partially blind with an artificial hip but she still had an eye for the fellas. Her death, a couple of years after that visit, upset me terribly â not just because she meant so much to me but because, such was her spirit, it had simply never occurred to me that she would, or even could, die. At the back end of the last century Mother of All the Behans was made into a stage play by Peter Sheridan, with Rosaleen Linehan, and then in a later production, Eileen Pollock, playing Kathleen. I saw both performances and they were both excellent, hard to follow. In recent years Iâd looked in the mirror and wondered if it was now time to think about following them, so when I was asked if Iâd do something for our local Wordfest, ....
The pandemic stripped away the social side out of Aspen’s historically lively art and gallery scene. Yes, galleries were able to open quickly after the spring 2020 lockdown and, yes, they provided sanctuary for people seeking solace or inspiration when most every other cultural hub was closed. But there were no opening receptions and shoulder-to-shoulder crowds, no walk-throughs, no in-person artist talks. Art viewing has mostly been a solitary or virtual venture. Even as several new players arrived on the local scene, they arrived quietly. There were positives to be found in the experience of gallery hopping during the pandemic – you had more conversations with gallerists, for example, and you realized how little you actually get to look at the artwork at a crowded opening. ....