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SXSW Music Review: Jazz re:freshed Outernational Blows Down Abbey Road

Fifth year straight at South by Southwest, Tuesday night’s collaboration between London Record label Jazz re:freshed, whose co-founder Adam Moses hosted, and production entity British Underground, with help from the Arts Council England, blew through six UK jazz acts in 80 minutes. B-l-e-w.
Camilla George (Photo by Raoul Hernandez)
Over 300 people logged in to see pre-recorded content broadcast live right then and mostly then-only. A real-time chat to answer any questions and stoke virtual longing for this now-annual SX reunion downstairs at the old Emo’s on Sixth and Red River acted as emcee. Launch began at the door of its soundstage, London’s Abbey Road Studios. ....

United Kingdom , City Of , Raoul Hernandez , Adam Moses , Connie Constance , Olivia Bhattacharjee , Noya Rao , Daniel Casimir Tess Hirst , Tom Henry , Camilla George , Rod Young , Stuart Mccallum , Mama Duke , Richard Spaven , Arts Council England , British Embassy , London Record , British Underground , Red River , Abbey Road , Deezie Brown , Damien Cannon , Theon Cross , Closers Daniel Casimir , Tess Hirst , Abbey Road Studios ,

SXSW Music Panel Recap: The New Marketplace of Music Royalties

Photo by Laiken Neumann
“CYS: Copyright Your Shit!”
That’s entertainment lawyer Robert Celestin’s premiere advice to artists looking to actually cut a check in the streaming age. He Zoomed in alongside music industry executive Serona Elton, Fugees co-founder Wyclef Jean, and Sound Royalties CEO Alex Heiche on Tuesday afternoon to discuss the future of music royalties under the newly instated Music Modernization Act. The legislation established the Mechanical Licensing Collective, a non-profit that allows artists to look directly at data of unmatched royalties and provide them royalty payouts from digital streaming companies.
“What I would encourage every artist – this is just some Haitian shit I’m gonna tell you: If you have hands, if you have a voice, if you have ears, if you have your talent, you can constantly be making the music,” announced Jean.” ....

Robert Celestin , Laiken Neumann , Serona Elton , Wyclef Jean , Mariah Carey , Music Modernization Act , Sound Royalties , Music Modernization , Mechanical Licensing Collective , Educational Partnerships , New Marketplace Of Music Royalties , Sxsw Music 2021 , ராபர்ட் செலஸ்டின் , மரியா கேரி , இசை நவீனமயமாக்கல் நாடகம் , ஒலி ஆதாய உரிமைகள் , இசை நவீனமயமாக்கல் , இயந்திர உரிமம் கூட்டு , கல்வி கூட்டாண்மை , புதியது சந்தை ஆஃப் இசை ஆதாய உரிமைகள் , சிக்ஷ்சுவ் இசை ,

SXSW Music Panel Recap: TikTok Curators Roundtable

TikTok’s influence on music consumption sprawls wider than 10-second clips of Generation Z members flailing around to soundbites. Musicians Blu DeTiger, Max Motley, Devon Schmalz, and Tai Verdes joined TikTok music editorial lead William Gruger to discuss the video-sharing social network’s true role as a vehicle for discovery and education.
Photo by Derek Udensi
The one-hour, prerecorded SXSW Online panel, which became available for broadcast Tuesday morning, began with the explicatory: TikTok feeds cater uniquely to the interests of the user. Clips range from harmless dancing performed in living rooms to “time warps” that defy every law of physics. ....

United States , Blu Detiger , Nathan Apodaca , Tai Verdes , Bill Withers , Los Angeles , William Gruger , Olivia Rodrigo , Derek Udensi , Devon Schmalz , Max Motley , Billboard Hot , Fleetwood Mac , Billboard Streaming Songs , Ocean Spray , Sxsw Music 2021 , Tik Tok , ஒன்றுபட்டது மாநிலங்களில் , நாதன் அபோடாக , தை வேரிதேஸ் , ர சி து வாடிவிடும் , லாஸ் ஏஞ்சல்ஸ் , ஒலிவியா ரோட்ரிகோ , டெவன் ஸ்ச்சிமல்ஜ் , அதிகபட்சம் மோட்லி , விளம்பர பலகை சூடான ,

SXSW Music Panel Recap: The Future of Women in Music

Women artists dominate pop music, but behind the scenes, progress comes more slowly. A&R directors Margaux Grober (Arista Records) and Sammye-Ruth Scott (Atlantic Records) met with moderator Olivia Shalhoup on Tuesday morning – first day of virtual SXSW 2021 – for an online brainstorm on how to up the industry’s gender parity.
Dom pop: (l-r) Sammye-Ruth Scott, Olivia Shalhoup, and Margaux Grober (Photo by Carys Anderson)
“Men are [seen as] smarter, go getters, more dominant, as if a woman can’t take those same roles and internalize them and do the same thing,” pointed out Scott. “Why can’t we go in a room and close a deal?” ....

Carys Anderson , Olivia Shalhoup , Sammye Ruth Scott , Margaux Grober , Arista Records , Atlantic Records , Gender Equality In Music , Sxsw Music 2021 , கேரிஸ் ஆண்டர்சன் , சம்மி ரூத் ஸ்காட் , அரிஸ்டா பதிவுகள் , அட்லாண்டிக் பதிவுகள் , ஜெஂடர் சமத்துவம் இல் இசை , சிக்ஷ்சுவ் இசை ,

SXSW 2021 - Three SXSW Documentaries Visualize SXSW Music: Somewhere you feel free - Music

Poly Styrene: I Am a Cliché (Courtesy of Poly Doc Ltd.)
Poly Styrene: I Am a Cliché
SXSW screening: Tuesday, March 16, 10-11:36am
SXSW panel: Tuesday, March 16, 8:30-9pm
X-Ray Spex singer and punk maverick Poly Styrene (born Marianne Joan Elliott-Said) intended to publish a book of diary entries in her final years. Following her death from cancer in 2011, daughter Celeste Bell inherited management of her mother s pioneering legacy, leading to the 2019 coffeetable read
Dayglo!: The Poly Styrene Story. The artwork, writings, and family ties now coalesce in
Poly Styrene: I Am a Cliché, debuting stateside at South by Southwest. ....

City Of , United Kingdom , Rick Rubin , David Fricke , Tamara Saviano , Mary Wharton , Rachel Rascoe , Sissy Spacek , Guy Clark , Doug Freeman , Marianne Joan Elliott , Steve Earle , Tom Petty , Vivien Goldman , Rodney Crowell , Jerry Jeff Walker , Townes Van Zandt , Susan Walker , Susanna Clark , Poly Styrene , Vince Gill , X Ray Spex , Britney Spears , Van Zandt , Celeste Bell , Warner Music Group ,