The History of Dalmuir R.O.F. is the history of any other war-time factory, it is the story of the workers' struggle against the forces of capitalism aided an abetted by the fakirs of the trade unions and the Communist Party. Faced with these odds it is creditable that the workers did not succumb entirely, and that a band of them continued in opposition and endeavoured to preserve some degree of sanity throughout the welter of lies, distortions and intrigue that surrounded the worker.
working in a factory, an apple supply factory and in china as well. it s a creative element. creative element he calls it. turn to mieblg chael eric dyson author of can you here me now professor in poor taste, i think it s racist, maybe americans who don t think it is. but are you buying his comment that it s a creative element, a woman in a rice paddy, what do you think? it is very creative, creative bigotry, creative hostility and indifference, since he likes to play with names, mr. if you will, hoekstra, is out here talking about debbie stabenow, he s stabbing her now and stabbing us now with the vicious epithets, another display that
supply factory and in china as well. it s a creative element. creative element he calls it. turn to michael eric dyson, the author of can you here me now professor in poor taste, i think it s racist, maybe americans who don t think it is. but are you buying his comment that it s a creative element, a woman in a rice paddy, what do you think? it is very creative, creative bigotry, creative hostility and indifference, since he likes to play with names, mr. if you will, hoekstra, is out here talking about debbie stabenow, he s stabbing her now and stabbing us now with the vicious epithets, another display that so many on the right and far right are tone deaf to how their
we could show a young woman we chose a young woman in china. we could have taken a someone working in a factory, an apple supply factory and in china as well. it s a creative element. creative element he calls it. let s turn to michael eric dyson, msnbc analyst, georgetown professor and author of the book can you hear me now? . well, professor, let s just say, it s in poor taste for sure. i think it s racist, maybe americans don t think it is. but are you buying his comment that it s a creative element, a woman in a rice paddy, what do you think? it is very creative, creative bigotry, creative hostility and indifference, since he likes to play with names, mr. if you will, hoekstra, is out here talking about debbie stabenow, he s stabbing her now and stabbing us all now with these vicious epithets. i think it s ridiculous, it s