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robinson, apparently tired, punched fairly well and rocked jake right to his heels. come on, ray. a director and actor finds a story at the right time and the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. i think raging bull is a great title. and the film fulfills the promise. the reality of the boxing and the great slow motion, all of the black-and-white gore, the violence of the flash bulbs going off. when he designed the movie, marty, he purposefully didn t put a clutch on the film. there s no clutch. hey, ray, you never went down, ray. you never got me down, ray. raging bull is a boxing movie for people who don t like boxing movies, but it s really not about that. it s about this man, jake, based on a real person, who s really at war with himself. come on. harder. harder. i didn t really understand boxing, but the character was interesting. he was just so ....
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And so the signature songs of the modern era are just kind of a mélange of different influences and styles. shine a light through an open door [emily] we found love, rihanna and calvin harris, is such a good, euphoric track with an amazing, emotional focal hook on it. we found love in a hopeless place [emily] that combo really helped djs and that style of song take off. the sounds that have been climbing up the charts, the sounds of electronic dance music, came to popularity thanks to artists like david guetta, as well as diplo and skrillex. [music] [nate] and you had dubstep, which was a subgenre of edm, with this just annihilating bass texture. you can hear it in a song like scary monsters and nice sprites. [finneas] dubstep to me was like the most recent time ....
i m tired of talkin , man, y all ain t listenin them old dirt roads is what y all missin yeah, i m chilling on a dirt road [nate] dirt road anthem is a good example of bro country, which is a subgenre of music that is defined by the presence of a bro. uh, that could be sam hunt. [sam] i knew she d find a way to get over me. but i never thought. she would get down with somebody i know that could be thomas rhett. do you hear that? (hear that?) it s where i m at (it s where i m at) it s the sound of teardrops fallin down that could be florida georgia line. baby, you re a song you make me wanna roll my windows down and cruise country music had become so aggressively commercial that a lot of casual listeners felt like i can t find a way into this anymore. this doesn t feel true to me. so we saw a return to a sort of songwriting that really was, you know, what they say about country music three chords and the truth. ....