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KBCW Bay Area Focus With Susan Sikora October 6, 2013

Good morning, im your host dr. Brenda wade. In 2049, the Mary Elizabeth ann will celebrate 100 years of providing safe housing and Supportive Services in towomen in need. The founder, lizzie slider glide also build glide memorial methodist church. Over the years, they have helped thousands of women rebuild their lives. Joining us is the executive director, deon roberts. Good morning, deon. Good morning. And thank you for being here. Thank you for having me. 100 years . 100 years in 2014. Yes. I am a native san franciscan and never knew about Mary Elizabeths end . Neitherdy. And i am also a native plannan. One of the bestkept secrets. Who was lizzie slider glide . Lizzie slider glides of a widow by 1996. Oh. And she was a widow. She had a healthy husband in the cattle business and coming to
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SFGTV2 November 16, 2012

Actually was drawn from our financial struggles trying to build this house in the berkley hills. But it also sort of shows you how real life intrudes into your work and how we either can listen to it and put it into it or try to ignore it. I usually choose to sort of put everything thats going on around me in the world when im reading what i find intellectually curious into the work, no matter what the story is. So lets turn our attention a little bit to these characters you have created, 9, i think, characters, all very extremely different from different backgrounds. You spoke just now about wanting to find an authentic voice for each of them and working from the inside out. So how do you go about creating specific voices for a jewish russian character by way of yokohama, for an African American character, for all these different characters . I know you worked with specific actors. Did they help at all . What was the process th ....

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SFGTV2 December 7, 2012

Actually was drawn from our financial struggles trying to build this house in the berkley hills. But it also sort of shows you how real life intrudes into your work and how we either can listen to it and put it into it or try to ignore it. I usually choose to sort of put everything thats going on around me in the world when im reading what i find intellectually curious into the work, no matter what the story is. So lets turn our attention a little bit to these characters you have created, 9, i think, characters, all very extremely different from different backgrounds. You spoke just now about wanting to find an authentic voice for each of them and working from the inside out. So how do you go about creating specific voices for a jewish russian character by way of yokohama, for an African American character, for all these different characters . I know you worked with specific actors. Did they help at all . What was the process th ....

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SFGTV2 December 28, 2012

And what ive even found is as i write characters now, for example in the play after the war, when i write characters that are not japanese american, that are African American, that are anglo american, as in this particular play, i have to be really really conscious of the fact that these characters, how they speak and the directness of their speech, in how aggressive or nonaggressive they are in certain situations, that i am seeing the world through that characters eyes and not my normal japanese american sort of perspective. Because my point of view, i have come to know, is a specific one, how my characters and how i talk to the world and interact with the world is very different than how other peoples might. So over the years i have learned how to both be aware of my own particular voice and how i have to also look beyond it if i want to write about other characters who are not part of a linage that has come from the internmen ....

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SFGTV2 December 21, 2012

Building a house, but it may be something about money that comes up in the play but actually was drawn from our financial struggles trying to build this house in the berkley hills. But it also sort of shows you how real life intrudes into your work and how we either can listen to it and put it into it or try to ignore it. I usually choose to sort of put everything thats going on around me in the world when im reading what i find intellectually curious into the work, no matter what the story is. So lets turn our attention a little bit to these characters you have created, 9, i think, characters, all very extremely different from different backgrounds. You spoke just now about wanting to find an authentic voice for each of them and working from the inside out. So how do you go about creating specific voices for a jewish russian character by way of yokohama, for an African American character, for all these different characters . I ....

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