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Mid to up tempo. hey, how about this, boss, obviously, since you re the producer will you guide what you want and drop files and all that? yeah, sure, sure. 120, i ll start some chords, maybe. we ll default to you. ok, cool. i ll turn my headset down and i m going to hop - on my kit really quick. all right, i m going to do the same. oh, that s nice. 0h! i like the fact that everyone s avatars are bobbing their heads, like proper sound engineer types. can we make those notes shorter, so more staccato at the top the ding, ding, ding? a whole hour flew by in the low latency virtual studio. and before i knew it, it was time to head back to the real world. i m back. i don t want to be i want to be back in here. it s freezing cold where we re filming, and my fingers are completely numb, ....
Responded with a nonstop staccato of angry, often misspelled texts. cari, now, that name sounded like his personal horror show. she is the woman from hell now. all of a sudden, yeah. in the course of a couple of hours. wow. maybe to dave omaha, that s how it would seem. but an hours drive away, there was quite a different story. here in this tiny sweet farming town called macedonia, iowa. i think there is only around 250 people that live there now. it is very it is just home. home to cari. cari farver, and where she was raised by her stepfather mark, and her mother nancy, who would stick with cari through it all. but of course, if they have always known there is something different about cari. she felt she wanted to do her own thing, and sometimes ....
Did they get there. did you use the memoir and is there a connection between a biden dimmick biden center and it was $54 million total from other countries of which $14.5 million was from chinese connections. the sources of the chinese money and why won t the president release the documents and mentioned within turley told us it was ill-advised for him to go off script right there when peter doocy was answering the question. he had the prepared statement that he read, not well, but the whole idea about it was in a locked garage with a corvette. it does not like it was sitting out in the streets. things like that, lawyers do not like. harris: then mccarthy picks up because there is a staccato to the drumbeat. the president speaks boom, boom, boom everybody comes. the house speaker says, they were just in the open. he can say that because the ....
It was like oh my god, how do i learn the dance, i can t learn it fast enough. up with the shoulder. kind of pop it a little bit. pop it. okay. real staccato, like stick it. if you like it then you should have put a ring on it oh oh oh oh oh oh she was a woman speaking for other women. and that was so welcome. one by one even two by two everybody in the club let me show you how we do rihanna comes along and she s much more r&b than she is pop. she s got the sort of caribbean feel in her music. and there s something really fresh about her. a thief in the night come and grab you it can creep up inside you and consume you rihanna had this incredibly ambitious idea of what pop music was. and kept redefining herself as the edgiest, nastiest, most sophisticated pop star out there. it s raining more than ever know that we ll still have each other you can stand under my umbrella ....
To accomplish it while being challenged on those ideas. harris: look at some of the things that have happened in the time since he last sat down or as i was saying to the faulkner focus , it is a far and wide situation. when you share the room with 40 people they can ask some of them aren t even american journalists. when it s a one-on-one you can hit what s going on in the country with staccato, one right after the other. so much has happened. i might start with baby formula. i might start with putin being blamed for the gas prices which we know is not entirely true by any stretch of the imagination. but that s harder to do when you share territory in a room full of other journalists. a wall street journal op-ed says political narratives are the media s default in times of tragedy. quote, a crippling fallacy that characterizes our modern media and the idea that every event that rises to the level of news ....