accountable. new york times with this, quote within hours of a jury finding mr. trump guilty last week, the anger conyield into demands for action. since then, the prominent gop leaders have demanded they use every instrument of power again democrats, included targeted investigations and prosecutors. here step miller puts it is every house committee controlled by republicans? in every way, it needs to right now with every republican d.a. to start is every donor off the sidelines and in the game, the rich guys, the wealthy guys? everything facet of republican party politics and power has to be used right-to-now to go toe to toe with marxism and beat these why do you have to talk to jesse waters that way? maybe he knows. i don t know. echoes miller s tirade, trump s comrades in arms in the january 6th bannon said in a text message to the times on tuesday that now is the moment for obscure republican prosecutors around the country to make a name for themselves by pro
Before even festivals were a really big thing, warped was doing it. they came to the back of the stone pony. as a 12 or 13-year-old, my dad took me there and we saw bands like penny wise and less than jake, a far cry from bruce springsteen and south side johnny. the pony started playing those types of music, and it gave music a home. and it was our big stage. until starling ball room opened, this was the only place we could see that type of music. i started coming for that. it had the intoxicating spontaneity that you never knew who was going to be playing with who. you might go see a band or just like you re seeing southside johnny it s a place that for whatever reason, it s always a surprise.
We want. we re going to do what we want to do so. it made the stone pony where original or different music could be played in a town that was allowing different things to happen. so, it started the scene, and bruce springsteen would come he grew up with johnny and stevie, then best friends, as soon as they had this house band, bruce comes up playing for them, and it creates a scene. other bands start coming. it establishing at the stone poppy as the sound of music, rock and roll with horns. it s still soulful, and it s influenced that as bury what it was at that time. how did you come to know the stone pony? in a very different way. i grew up in basements and legion halls watching punk bands in the 90s. and the warp tour, was, like, the big punk festival.
What the story is about. the reason i start with bruce describing the race riots in 1970, what that would do to the town, you know, it would decimate it. it would leave it it would it was a segregated town. it created on the east side white flight. as steve van zandt, it allowed this artistic community to take hold in asbury park. a lot of the jersey shore bars that didn t become the stone pony, would only let you play covers, top 40. stevie van zandt and johnny says, give us your worst night. you take the door, you take the bar, which is a deal for, and you re going to let us do what