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The Berlinale adds two more winners to its list with Alice Diop s We and Dasha Nekrasova s The Scary of Sixty-First

Camille Laemlé and Serge Lalou, showing the Israeli occupation of the Palestinian territories in the West Bank and the Gaza Strip through statements from Israeli soldiers. “Cinema can be looked at, but perhaps the most moving cinema is the one that looks at us and, with that look, transfers our very existence to another dimension,” argued the jurors. “With very few visual and auditory resources, a handful of archive images and a profound insistence to tell, with more faith in art than in humanity, this film forces us to look and reflect on land, humans, politics and conscience, and challenges our comfortable understanding.”

The Berlinale adds two more winners to its list with Alice Diop s We and Dasha Nekrasova s The Scary of Sixty-First

Camille Laemlé and Serge Lalou, showing the Israeli occupation of the Palestinian territories in the West Bank and the Gaza Strip through statements from Israeli soldiers. “Cinema can be looked at, but perhaps the most moving cinema is the one that looks at us and, with that look, transfers our very existence to another dimension,” argued the jurors. “With very few visual and auditory resources, a handful of archive images and a profound insistence to tell, with more faith in art than in humanity, this film forces us to look and reflect on land, humans, politics and conscience, and challenges our comfortable understanding.”

We Review: A Fascinating Doc Exposing the Fractures in French Society Along One Railway Line

We Review: A Fascinating Doc Exposing the Fractures in French Society Along One Railway Line We Review: A Fascinating Doc Exposing the Fractures in French Society Along One Railway Line An outwardly modest observational doc that builds cleverly into an epic intellectual interrogation of France s multicultural project. Jessica Kiang, provided by FacebookTwitterEmail Director: Alice Diop With: Alice Diop, Ismael Soumaïla Sissoko, N’deye Sighane Diop, Pierre Bergounioux, Marcel Balnoas, Ethan Balnoas. (French dialogue) Running time: Running time: 115 MIN. Sarah Blum The public, the private and the deeply personal run on parallel tracks in French director Alice Diop’s documentary “We,” a series of vignettes of life along the RER B, a railway line running through the suburbs and exurbs of Paris out to the surrounding countryside. But as it gains momentum, this deceptively cunning documentary which out of a lineup full of showier titles won the top prize in Berlin

Alice Diop stakes her bets on We

(The article continues below - Commercial information) Written by the director (before she tried her hand at fiction in the form of Saint-Omer), the story unfolds around an urban train link, the RER B, which crosses Paris and its outskirts from north to south. It journeys across these indistinct spaces known as inner cities and suburbs, resulting in various encounters involving a cleaning lady in Roissy, a scrap merchant in Bourget, a nurse in Drancy, a writer in Gif-sur-Yvette, a hunt follower in the Chevreuse Valley and the filmmaker herself who revisits the area where she grew up; portraits representing a variety of individual pieces, which come together to form a whole and a potential “We”.

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