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“Directing this opera during the pandemic and presenting it virtually posed many challenges, but it also offered the rare chance to assign the dual roles of Don Giovanni and Leporello to the same singer, thus alluding to the notion that the servant and his master are alter-egos, opposite sides of the same person,” she said. “This opera has a timeless quality, and it’s a great psychological thriller.
Having sung the role of Zerlina in countless productions around the world, from the Salzburg Festival to the Metropolitan Opera, it’s an incredible honor for me to be able to pass on the experience and knowledge that I learned from the greatest conductors and stage directors, back to the new generation of singers and to our talented UCSB voice students.” ....

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