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The digital age has truly dawned upon the arts, but what has the shift to online programming taught us?


This month marks a
year since the coronavirus pandemic initiated a series of global shutdowns across art organisations. The immediate effect of the pandemic was a swift shift to digital programming: exhibitions became walk-throughs;
fair booths became
virtual viewing rooms; and Q&As became video chats. The amount of material made available online, as well as its uptake among
the public, was overwhelming, fuelled perhaps by adrenalin
and sublimated panic.
“The digital sphere has always had this sort of secondary position, and people didn’t take it as seriously as they should
- Krist Gruijthuijsen
That flurry of initial activity has subsided, but the “new normal” is still emerging. What have been the effects of a year’s worth of online programming on art organisations, artists and audiences – and specifically for the Arab world? ....

United Arab Emirates , United States , Ash Shariqah , City Of , United Kingdom , West Bank General , West Bank , Israel General , Ram Allah , Fahrelnissa Zeid , Al Qassemi , Sliman Mansour , Ufemia Rizk , Sultan Sooud Al Qassemi , Frank Sperling , Nadim Choufi , Sooud Al Qassemi , Antonia Carver , Samia Halaby , Noura Al Kaabi , Krist Gruijthuijsen , Omar Offendum , Nadim Samman , Muhanna Brooklyn , Frank Sperling Krist Gruijthuijsen , Aya Sayes ,