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A film vocabulary that makes a lot of sense, and kurosawa is of course a very controlling director, and some of the things he does in the movie just with framing, the angles of the shots, juxtapositions of characters and the sort of triangles that he sets up, they almost always, if you pay attention to them, have a real meaning that they convey, even if it s only reaching the audience subliminally. sincejoel coen s the tragedy of macbeth has onlyjust premiered amidst the hurly burly of the new york film festival, it s not yet known if it will be received as the definitive english language version that cinema has thus far lacked although some scholars think we re better off without one. with these stories that we have like macbeth, that belong to all of us, it s wonderful seeing how each generation will engage with it a fresh take but also one that hears and echoes and filters and, you know, sort of newly reads all those echoes from the ghostly past of interpretations as well. ....
If you pay attention to them, have a real meaning that they convey, even if it s only reaching the audience subliminally. sincejoel coen s the tragedy of macbeth has onlyjust premiered amidst the hurly burly of the new york film festival, it s not yet known if it will be received as the definitive english language version that cinema has thus far lacked although some scholars think we re better off without one. with these stories that we have like macbeth, that belong to all of us, it s wonderful seeing how each generation will engage with it a fresh take but also one that hears and echoes and filters and, you know, sort of newly reads all those echoes from the ghostly past of interpretations as well. it was orson welles who famously, although perhaps a bit obviously, stated that shakespeare would have been a great movie writer. over a century of macbeth adaptations have proven him ....
To modern audiences. and instead you get, you know, a film vocabulary that makes a lot of sense, and kurosawa is of course a very controlling director, and some of the things he does in the movie just with framing, the angles of the shots, juxtapositions of characters and the sort of triangles that he sets up, they almost always, if you pay attention to them, have a real meaning that they convey, even if it s only reaching the audience subliminally. sincejoel coen s the tragedy of macbeth has onlyjust premiered amidst the hurly burly of the new york film festival, it s not yet known if it will be received as the definitive english language version that cinema has thus far lacked although some scholars think we re better off without one. with these stories that we have like macbeth, that belong to all of us, it s wonderful ....
Of course, the best regarded adaptation of macbeth may be akira kurosawa s throne of blood, which merges shakespeare s vision with japanese culture to stunning effect. some feel that an adaptation that is forced to omit shakespeare s inimitable dialogue actually makes it more palatable for general movie audiences. language obviously to some extent is an obstacle to modern audiences. and instead you get, you know, a film vocabulary that makes a lot of sense, and kurosawa is of course a very controlling director, and some of the things he does in the movie just with framing, the angles of the shots, juxtapositions of characters and the sort of triangles that he sets up, they almost always, if you pay attention to them, have a real meaning that they convey, even if it s only reaching the audience subliminally. sincejoel coen s the tragedy of macbeth has onlyjust premiered amidst the hurly burly of the new york film festival, it s not yet ....