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After a Year of Online Programming, What Worked?


After a Year of Online Programming, What Worked?
Frieze editors discuss the different trends in digital exhibition-making, from end-of-world scenarios to community-based initiatives
Terence Trouillot In February, an exhibition titled ‘Goodbye, World’, curated by Andreas Templin and Raimar Stange, was installed on an ice floe near the Arctic Circle in Swedish Lapland. Centred on environmental disaster, the show – featuring works by Jonathan Monk, Olaf Nicolai and Martha Rosler, among others – made me think of how COVID-19 has prompted a focus in the arts on the cataclysmic end of civilization. Accessible exclusively online, the exhibition is both tongue-in-cheek and allegorical, suggesting that all artworks will cease to exist in the future. ....

United Arab Emirates , France General , City Of , United Kingdom , Soult Ukpyolsi , South Korea , Cholla Namdo , Cao Fei , Elizabeth Karp Evans Pacific , Darte Modernae Contemporanea , Fei Cao , Barbara Casavecchia , Samantha Bohatsch , Simon Denny , John Smith , Jan Berger , Simon Moretti , Busan Biennale , Carina Bukuts , Klara Liden , Abbas Zahedi , Terence Trouillot , Sean Smuda , Sadie Coles , Jonathan Monk , Sean Burns ,