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It takes less than a minute for
Yaral Sa Doom to begin levitating. Multi-instrumentalist Arouna Kane and producer Karl Jonas Winqvist ground their collaborative effort in the playing of Kane’s Senegalese countrymen and contributions from Winqvist’s fellow Swedes, but in their production, the duo massage guitar, hand drums, sax, and flute until each is pliable, soft, and almost putty-like, molding the instrumentation to tissue-thin synths and richly reverbed vocals. Everything is so light, so wispy, it sometimes seems like a decent wind—or just a little mild cynicism—might blow the whole thing away. Instead,
Yaral Sa Doom holds its ground, its extreme sweetness balanced by Winqvist and Kane’s exploratory ethos. ....

United States , Toubab Dialaw , Riddim Rek Ya Niouy , Ousmane Ba , Ndongo Faye , Si Tu Savais Juste , Jango Diabat , Karl Jonas Winqvist , Henry Moore Selder , Lars Fredrik Swahn , Arouna Kane , Mdou Moctar , Winqvist Omnichord , Yaral Sa Doom , Les Filles De Illighadad , North American , Wau Collectif , Bitches Brew , His Children , Rek Ya Niouy , ஒன்றுபட்டது மாநிலங்களில் , ஔஸ்மந் பா , வடக்கு அமெரிக்கன் , பிட்சுகள் கஷாயம் , அவரது குழந்தைகள் ,