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Awa Naoko’s (1943–1993) folkloric fantasy for young people arose during a time of rapid post-war industrial and economic development in Japan. The pollution arising from this development generated an awareness of environmental degradation at the same time as there was a growing consciousness of the failed promises of gender equality. While Awa’s fantasies represent an instinctively eco-conscious rejection of the urban material world, their girl protagonists imaginatively subvert the systems which implicitly operate to marginalise them (and nature). As Awa’s animistic stories on nature and death mostly involve girls, my investigation combines ecofeminist and shōjo (girl) studies’ perspectives to explore these elements in two particular narratives, Shiroi ōmu no mori (The forest of white cockatoos) and Nagai haiiro no sukāto (The long grey skirt). Taking the narratives as a prescient denunciation of anthropocentric dualisms whose concepts and structures oppress both nature a