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China Rhyming » Blog Archive » One Man Talking: Selected Essays of Shao Xunmei, 1929–1939 chinarhyming.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from chinarhyming.com Daily Mail and Mail on Sunday newspapers.
China Rhyming » Blog Archive » RAS Nonfiction Book Club 1 March: China To Me by Emily Hahn – 1/3/23 chinarhyming.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from chinarhyming.com Daily Mail and Mail on Sunday newspapers.
1. In April 1924 Rabindranath Tagore arrived in Shanghai for a lecture tour of China. Soon after receiving the Nobel Prize for Literature in 1913, Tagore had become an international literary celebrity, lecturing to packed audiences from Japan to Argentina. His message that modern civilization, built upon the cult of money and power, was inherently destructive, and needed to be tempered by the spiritual wisdom of the East had a receptive audience among many people in the West who had been forced by World War I to question their faith in science and progress. But when, traveling in the East, he exhorted Asians not to abandon their traditional culture, he was often heckled and booed. ....
“Intoxicating Shanghai”: Art and Literature in Pictorial Magazines during Shanghai’s Jazz Age Dr Paul Bevan (Departmental Lecturer in Modern Chinese Literature and Culture, University of Oxford) Date: 3 March 2021 In Intoxicating Shanghai Paul Bevan explores the work of a number of Chinese modernist figures in the fields of literature and the visual arts, with an emphasis on the literary group the New-sensationists and its equivalents in the Shanghai art world, examining the work of these figures as it appeared in the medium of the pictorial magazine. It undertakes a detailed examination into the significance of the pictorial magazine as a medium for the dissemination of literature and art during the 1930s. The research locates the work of these artists and writers within the context of wider literary and art production in Shanghai, focusing on art, literature, cinema, music, and dancehall culture, with a specific emphasis on 1934 – The Year of the Magazin ....