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Atlantis review: glints of hope in war-torn Ukraine


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The orange-green glow of heat camera footage reveals a couple of figures, likely soldiers given their bulky clothing and weaponry, standing around a small trench. A prostrate body is dragged in and pitched into the shallow grave, shovelfuls of dirt slung over it.
The image is so alien it takes a minute to process its real horror – the blob representing the victim is glowing orange as the black earth gradually obscures it: he is being buried alive. Ukrainian director Valentyn Vasyanovych’s remarkable Venice 2019 Horizons winner Atlantis may immediately switch to exquisitely composed, live-action images of startlingly crisp, austere devastation but his film’s most potent motifs are all established in this eerie, alien opening: war, death, callousness, heat and dir ....

Joe Pesci , Colson Whitehead , Satyajit Ray , Sergiy Andriy Rymaruk , Serhiy Stepansky , Miroslav Slaboshpitskiy , Tarkovsky Stalker , Barry Jenkins , Katya Liudmyla Bileka , Martin Scorsese , Valentyn Vasyanovych , Weekly Film Bulletin , Andriy Rymaruk , Liudmyla Bileka , Black Level , Sound May , Plus Promising Young Woman , Aubrey Plaza , Black Bear , Dea Kulumbegashvili , கொல்சன் வைட்ஹெட் , சத்யஜித் ராய் , பாரி ஜென்கின்ஸ் , வாராந்திர படம் புல்லட்டின் , கருப்பு நிலை , ஒலி இருக்கலாம் ,

Vicarious Trips To Greece, Brazil, Japan And More Through Streaming Cinema


Vicarious Trips To Greece, Brazil, Japan And More Through Streaming Cinema
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This lack of travel has made me quite twitchy. Fortunately, I ve found a sort-of/not-quite solution making a great escape by watching a flurry of international films.
The California Film Institute and the Berkeley Art Museum and Pacific Film Archive are helping out wanderlusters like me, whisking us away from the same-oldness of our homebound lives via their choice offerings.
This week, Pass the Remote hopscotches vicariously to Brazil, Puerto Rico and on over to Greece, Japan and even tours a futuristic Ukraine. ....

Puerto Rico , United States , Sergiy Andriy Rymaruk , Ukranian Oscar , Naomi Kawase , Aris Servetalis , Hiromi Nagasaku , Arata Iura , Cecilia Aldarondo , Valentyn Vasyanovych , Liudmyla Bileka , California Film Institute , Berkeley Art Museum , Pacific Film Archive , World Cinema , Eastern Ukraine , Andriy Rymaruk , Aju Makita , Hurricane Maria , ப்வெர்டோ ரிக்கோ , ஒன்றுபட்டது மாநிலங்களில் , உக்ரேனியன் ஆஸ்கார் , சிசிலியா அல்டரோண்டோ , கலிஃபோர்னியா படம் நிறுவனம் , பெர்க்லி கலை அருங்காட்சியகம் , பெஸிஃபிக் படம் காப்பகம் ,

Ukrainian drama 'Atlantis' offers hope amid its post-war desolation


Death is present in practically every moment of Ukrainian director Valentyn Vasyanovych’s “Atlantis.” This fact (as well as the deliberate pacing) doesn’t make the film an easy watch, but for the patient viewer, there are rewards to be found.
Ukraine’s submission for this year s Academy Award for the Best International Feature Film (though it failed to make the final shortlist of 15 titles in contention for the prize), the film is undeniably bleak, though by its final moments even its desolation gives way to a faint ray of hope.
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PHOTO COURTESY GRASSHOPPER FILMS
A scene from the Ukrainian drama Atlantis. The film is set in a bombed-out Ukraine of 2025, in the aftermath of Russia’s currently ongoing war against the country. Th ....

Rebecca Rafferty , Adam Lubitow , Sergiy Andriy Rymaruk , Katya Liudmyla Bileka , Valentyn Vasyanovych , Academy Award , Best International Feature Film , Andriy Rymaruk , Liudmyla Bileka , Black Tulip , ரிபேக்க ராஃபர்ட்டி , கலைக்கழகம் விருது , சிறந்தது சர்வதேச அம்சம் படம் , கருப்பு துலிப் ,