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'Quo Vadis, Aida?' turns lens on legacy of Bosnian genocide

'Quo Vadis, Aida?' turns lens on legacy of Bosnian genocide
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'Quo Vadis, Aida?' review: Bosnia & Herzegovina Oscar entry

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In “Quo Vadis, Aida?,” Jasmila Žbanić’s swift and shattering movie about the 1995 Srebrenica massacre, a woman climbs onto a small structure and stares out over a barbed-wire fence into a sea of weary bodies and frightened faces. This is Aida (Jasna Đuričić), and she’s searching for some of her family members, but as the camera pans across the crowd, echoing her desperate gaze, the enormity of the tragedy at hand comes into focus.
It’s not the last time Aida will experience this elevated vantage, sometimes with a megaphone in hand as she translates instructions and information for her fellow refugees. She knows her words are worthless, a mix of vague reassurances and outright lies; she also knows that, under the circumstances, hearing the truth might be just as futile. ....

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Quo Vadis, Aida? review – shattering return to Srebrenica

Through the eyes of a translator moving between the different ethnic factions, director Jasmila Žbanić musters real tragic power and clear-eyed compassion revisiting the massacre 25 years on ....

Bosnia Herzegovina , Republika Srpska , Federation Of Bosnia And Herzegovina , Ratko Mladi , Nihad Izudin Bajrovi , Boris Isakovi , Karremans Johan Heldenbergh , Sejo Dino Bajrovi , European Union , Bosnian Muslims , Bosnian Serb , Bosnian Muslim , Izudin Bajrovi , Boris Ler , Dino Bajrovi , Johan Heldenbergh , Golden Bear , Middle East , Quo Vadis , Curzon Home Cinema , போஸ்னியா ஹெர்சகோவினா , கூட்டமைப்பு ஆஃப் போஸ்னியா மற்றும் ஹெர்சகோவினா , ஐரோப்பிய தொழிற்சங்கம் , போஸ்னியன் முஸ்லீம்கள் , போஸ்னியன் செர்ப் , போஸ்னியன் முஸ்லீம் ,