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Chance with wheelchair tennis. so it is amazing to play even though the result is my go my way i know i will be even more determined and motivated next year for you guys. indie determined and motivated next year for you gm determined and motivated next year for you guys- for you guys. we wish alfie hewett the best for for you guys. we wish alfie hewett the best for next for you guys. we wish alfie hewett the best for next year. for you guys. we wish alfie hewett the best for next year. another - the best for next year. another british winter here searle ending the 61 year wait for a junior champion champion. seeing off the dominant victory unseen for the 17 year old winning this one in straight sets. 64 61; 17 year old winning this one in straight sets. 614 611 was a boy in quart one, a special moment for searle who was the junior champion the last british tuna shipping was stanley matthews the namesake of the former black and england footballer backin former black and englan ....
Thought about films was, wouldn t it be great if you could have a film where the characters in the film were like real people, not like actors? and the other thing, which is of far, far less significance, or of no importance at all, is that watching westerns, you know, because of the nature of the number of frames on a length of film, the wheels on the, on a vehicle or a stagecoach would go around backwards. yes. and i used to think, sit there thinking, when i make films, they ll go round the right way. now that was from a very early age. what sort of age? the first big cultural influence that you ve picked, that you suggest has had a formative effect on your work, is ronald searle. illustrator, artist, best known for st trinian s, for creating st trinian s and for the molesworth books, and also contributing illustrations and drawings to so many books and magazines over the years, in the post war years. when i was six, somebody gave me a copy of hurrah for st trinian s, a collection ....
They re sort of etiolated figures. is there a link, do you think, in those characters, between those characters and some of the characters that you create in yourfilm? i think the important thing about searle being an inspiration, or, if you like, an influence on me, it s not so much about specific characters. it s about a way of looking at the world. i mean, if you look at my characters in my films, and indeed plays. ..it s never i never allow it to be described as naturalism, it s realism, it gets to the essence of what s real. i mean, you have to believe in it being absolutely real when you see in the moment when you see it. but there s a certain, there s an edge, there s a distillation. there s a heightening, which is a natural thing for an artist like ronald searle to do. and that s what i do. so i can t talk about a direct correlation between this ronald searle character or that character in one of my films. it s about a way of ....
Known for creating century unions, so many books and magazines over the years, in the postwar years, how do you discover him? when i was six, somebody gave me a copy of hurrah for st trinian s, a collection of cartoons by ronald searle, for my birthday. that was it. the great thing about searle is that he was, apart from he was a great draughtsman, he was a fantastic observer, and his style of drawing influenced my style. in fact, my handwriting to this day is influenced by ronald searle s style of handwriting. and what was he doing? i mean, just to evoke a sense of his style? well, there are two things, really. one is his observation of character, and his expression of character. but the other is his line. you know, he had a great. ..he had a range of different kinds of line, but he had ....