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Scarface as an Allegory of Capitalism

Sara Eliassen: Images [and Talking Back to Them] - Announcements

Images [and Talking Back to Them] by Sara Eliassen presents a new essayistic film installation in Kunstnernes Hus lower exhibition hall, as well as a film and conversation program in the cinema. 

Hedi El Kholti and Chris Kraus on Sylvère Lotringer - Artforum International

HEDI EL KHOLTI: A lot of the obituaries written about Sylvère expressed the notion that he didn’t write a lot, or enough that he regretted not having written The Book. McKenzie Wark, in her beautiful obituary for New Left Review, talked about Sylvère having written other writers instead. I love the sentiment, but I almost want to disagree. As I was reorganizing my bookshelf this week, I kept finding things Sylvère wrote. Just stumbling on them. There’s one in the 1997 ArtCenter publication Asteroid Impaired, called “Ball of Fat,” that riffs on the Maupassant story “Boule de Suif.” It starts like

Project MUSE - Toxic Loves, Impossible Futures

Project MUSE - Toxic Loves, Impossible Futures
jhu.edu - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from jhu.edu Daily Mail and Mail on Sunday newspapers.

How Jeff VanderMeer Prevents Writer s Block - The New York Times

How Jeff VanderMeer Prevents Writer’s Block Credit.Jillian Tamaki April 15, 2021 “I get superstitious,” says the author, whose latest novel is “Hummingbird Salamander”: “I once had a book sent to me that was disrupting my ability to write a novel because of a superficial similarity between the two. I took that book and dug a hole and buried it deep in the backyard.” What books are on your night stand? I chose the night stand for its stalwart qualities and it is currently holding up well under the eclectic weight of an advance copy of John Paul Brammer’s “¡Hola Papi!,” B. R. Yeager’s “Negative Space,” Bernard Rudofsky’s “The Prodigious Builders,” Eley Williams’s “The Liar’s Dictionary,” Rita Indiana’s “Tentacle,” Stephen Graham Jones’s “The Only Good Indians,” Julienne Ford’s “Paradigms and Fairy Tales,” Angelo Maria Ripellino’s

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