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True Mothers review – tender Japanese adoption drama

True Mothers review – tender Japanese adoption drama
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Naomi Kawase , Asato Reo Sato , Satoko Hiromi Nagasaku , Mizuki Tsujimura , Hiromi Nagasaku , Reo Sato , Aju Makita , அஷ்டோ ரியோ ஸாடோ , ரியோ ஸாடோ , அஜு மெகீட ,

'True Mothers' review: Japan's Oscar entry from Naomi Kawase

Japan’s Naomi Kawase is among the tenderest of filmmakers you can often sense her caring presence off-camera, in a good way and her latest, “True Mothers,” is a fine example of this Cannes-honored director’s sensitivity and lyricism. They’re especially strong assets here, because this story of teen pregnancy, adoption, and belonging adapted from a novel by Mizuki Tsujimura is the kind of material that can easily lend itself to melodrama. In Kawase’s delicate hands, however, it breathes with an everyday poignancy.
We first meet kind, anxious Satoko (Hiromi Nagasaku) and her devoted husband (Arata Iura) as the parents of 6-year-old Asato, a sweet-faced boy entering kindergarten. An extended flashback fills in an emotionally wrought backstory: after fertility treatments went nowhere, the distraught couple turned to an adoption agency that houses young women with unwanted pregnancies and upon the handing over of the newborn, legally terminates any relationship wit ....

Japan General , Naomi Kawase , Satoko Hiromi Nagasaku , Mizuki Tsujimura , Arata Iura , Hiromi Nagasaku , Aju Makita , Available Laemmle Virtual Cinema , ஜப்பான் ஜநரல் , அஜு மெகீட , கிடைக்கிறது ழாெம்மிலே மெய்நிகர் சினிமா ,

'True Mothers' Review: Family Entanglements - The New York Times

âTrue Mothersâ Review: Family Entanglements
Parents clash in this Japanese melodrama from Naomi Kawase.
Aju Makita in “True Mothers.”Credit.Film Movement
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Remarkably resistant to sentimentality in individual scenes yet baldly manipulative in the big picture, the melodrama âTrue Mothersâ is probably the most mainstream effort yet from Naomi Kawase, a Japanese director who hasnât received much distribution in the United States but has been a mainstay of the Cannes Film Festival for two decades. Although the pandemic canceled the festival in May, in June the Cannes programmers announced âTrue Mothersâ as an official selection of the event-that-wasnât (and later screened it at a mini-festival in October). The movie has the sort of densely plotted texture and widely accessible emotions that might have earned it the P ....

United States , Miyoko Asada , Naomi Kawase , Asato Reo Sato , Satoko Hiromi Nagasaku , Mizuki Tsujimura , Kiyokazu Arata Iura , Cannes Film Festival , Hiromi Nagasaku , Arata Iura , Reo Sato , Aju Makita , ஒன்றுபட்டது மாநிலங்களில் , மீயோக்கோ அசடா , அஷ்டோ ரியோ ஸாடோ , கேன்ஸ் படம் திருவிழா , ரியோ ஸாடோ , அஜு மெகீட ,