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'Carpeaux Recast': A Sculptural Gem With a Knotty Back Story

A show at the Metropolitan Museum, organized around a single marble sculpture, re-examines works of art representing slavery and abolition. ....

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Exhibition at The Met to Examine Jean-Baptiste Carpeaux's Why Born Enslaved! through the Lens of...

Organized around a single object the marble bust Why Born Enslaved! (1868) by French sculptor Jean-Baptiste Carpeaux Fictions of Emancipation: Carpeaux Recast is the first exhibition at The Met to examine Western sculpture in relation to the histories of transatlantic slavery, colonialism, and empire. Created in the wake of American emancipation and some 20 years after the abolition of slavery in the French Atlantic, Why Born Enslaved! was shaped by the enduring popularity of antislavery . ....

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The Met Just Purchased an Exemplary Renaissance Roundel for $23 Million—the Second Most Expensive Acquisition in Its History

A Met curator attempted to buy the piece at auction in 2003 but was outbid. The museum used funds from his bequest to fulfill his dream. ....

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The Met acquires exceptional Renaissance bronze roundel attributed to Gian Marco Cavalli

a href= http://www.metmuseum.org target= blank The Metropolitan Museum of Art /a announced today that it has acquired an extremely rare bronze re ....

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The Met's Afrofuturist period room thinks inside the box

IN HIS INTRODUCTION to Period Rooms in the Metropolitan Museum of Art (1996), the longest-serving director of the New York museum, the now-retired Philippe de Montebello, notes the popularity of his subject. “Virtually everyone who visits the Museum’s American Wing finds there the opportunity to experience a sense of the way our forebears lived,” he writes. A period room is a museological device that combines architecture, furnishings, decorative art, and functional objects to represent an interior of a certain time, place, and style. A feature of many museums, the rooms purport to represent ....

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