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Rick reichmuth standing by with the latest. Its going to be good. I dont get to work with you guys every day. Appreciate it. Todd going to be fun. We can Casey Stegall live in new orleans. Of course we begin with rob schmitt in louisiana wheres storm is expected to make landfall. Rob, good morning. Rob good morning, guys. Yeah we are in here in morgan city about 75 miles or so to the west of new orleans, and this is where we think the eye is going to come ashore when it eventually does come ashore. Right now this storm is moving at a snails pace. People are worried how much rain is going to fall a foot to 2foot of rain in southern louisiana here. As we take a look out here we are standing on a 20foot concrete levee of a sort which holds back the river here. You can see why this is needed because this river is way beyond its banks already. If we look out a little further you can see the morings out there and you can see how much wat ....
Clones don’t seem quite as popular these days as they were back in the 1970s and ’80s, when we were treated on a fairly regular basis to stories about celebrity clones, spare-parts clones, hazardous-duty clones, doppelganger clones, identity-crisis clones, cheap-labor clones, ominous replacement clones, survivalist clones, posthuman clones, tabula-rasa clones, and, inevitably, murder-mystery clones. Sarah Gailey touches upon that last in some ingenious ways in The Echo Wife, a solidly written novel that gains more of its strength from the voice and conflicted character of its narrator than from its rather plot-contrived version of cloning technology. One of the problems inherent in clone fiction is that, since clones are essentially newborns, the tale of an adult clone needs to play out over decades, during which the original ages while the clone grows up with an inevitably different set of experiences. Gailey skirts this problem by having their brilliant-geneticis ....