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Teaser Trailer Arrives for Animated Poem Namoo

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Baobab Studios has become one of the premier creators of animated content for virtual reality (VR) headsets, from 2017’s
Invasion! to the more recent
Baba Yaga. Its next project is
Namoo, a poetic tale due for release this year and now there’s a trailer to give you a teasing glimpse.
Namoo is being directed and written by Erick Oh (
Heart,
How to Eat Your Apple), with the word meaning “tree” in Korean. This is the central theme for the project, taking you on an emotional journey that follows the defining moments of one man’s life. Inspired by the life of Erick’s grandfather, from a seed the tree grows and eventually fully matures collecting significant objects that represent both good and bad memories within its branches. ....

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Virtual reality film takes you inside infamous South American jail

Virtual reality film takes you inside infamous South American jail
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A mysterious woman flanked by two blue jaguars welcomes you to an infamous South American jail.
You don a golden mask, step inside and take a surreal journey among guards, prisoners, spirits and animals.
Virtual reality film heading for Sundance: director Violeta Ayala with (from left) producer Dan Fallshaw, composer XNYWOLF (Andre Patzi) and 3D Illustrator Roly Elias at the United Notions studio in Sydneyâs Petersham.
Credit:James Alcock
Violeta Ayalaâs virtual reality film ....

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Namoo, Tinker, Prison X & More Premiere at Sundance Film Festival This Week

This year there’s a scaled-down selection of titles to view, with Baobab Studios’
Namoo is Korean for “tree”, taking viewers on a journey through a man’s life with each branch a different memory. Created using Oculus’
Quill,the project will be coming to Oculus platforms later this year.
And then there’s
Prison X,
Chapter 1: The Devil and The Sun, a new VR series from Quechua filmmaker Violeta Ayala. The first episode takes you into Bolivia’s infamous San Sebastian Prison as Inti, a young man imprisoned after his first job as a drug mule. “It was my world but it wasn’t a world you could capture with a camera,” says Ayala who grew up three blocks from the prison. “And I needed technology that wasn’t yet invented – virtual reality.” ....

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