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Opera s Biggest Fan Leaves Behind a Sprawling Time Capsule

Opera’s Biggest Fan Leaves Behind a Sprawling Time Capsule Pavarotti, Domingo, Sills, Fleming and many more: Perhaps 200,000 autographs are piled in a vacant East Village apartment. A signed headshot of the soprano Carol Vaness inscribed to Lois Kirschenbaum, who died last month and was the queen of the Metropolitan Opera’s stage door since the 1950s.Credit.Vincent Tullo for The New York Times “To Lois.” For many of opera’s greatest stars since the 1950s, writing that phrase before signing an autograph was both a rite of passage and an honor. After they had finished a long performance at the Metropolitan Opera, singers like Beverly Sills, Luciano Pavarotti, Plácido Domingo and Renée Fleming knew that Lois Kirschenbaum would be waiting at the stage door to greet them. The artists admired her almost as much as vice versa.

Lois Kirschenbaum, the ultimate opera superfan, dies at 88

Lois Kirschenbaum, the ultimate opera superfan, dies at 88 By Corey Kilgannon New York Times,Updated April 9, 2021, 4:57 p.m. Email to a Friend Lois Kirschenbaum backstage at the Metropolitan Opera House in New York in June 2012.JULIE GLASSBERG/NYT For more than a half-century, nearly every prominent singer to perform at New York City’s Metropolitan Opera could expect to be approached backstage afterward by a wispy woman in thick glasses, who held piles of memorabilia to be autographed while she praised their performance in a raspy Brooklyn accent. That was Lois Kirschenbaum, one of New York’s biggest and longest-standing opera buffs and a nightly staple at the opera since the late 1950s, before Lincoln Center was built, when the Met was located in Midtown.

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