ah, a secret. this silver is aluminum foil, crumbled of aluminum foil. her aesthetic is very much that quiet, japanese spatial thing that i really admire. their attention to the materiality of the things of the world. this is a nice juxtaposition you have going on right now. you have a more established artists alongside and emerging artists. is that something important to you as well? very important in this space, to have artists who really have not shown much. now let s look at other aspects of electric works operation. let s go to the bookstore. ok. in all seriousness, here we are in your store. this is the first space you encounter when you come in off the street. it has evolved since you open here into the most amazingly curious selection of things. this was the project for the berkeley art museum. it was this is from william wiley s retrospective, when he got up onstage to sing a song, 270 people put on the cat. it is not just a bookstore. it is a store
be experience begins with the glass facades that was designed with over 120 laminated glass panels. it captures the experience of being under or over clouds when flying in a plane. depending on the distance or point of view, it can appear clear for more abstract and atmospheric. the subtle colors change gradually depending on the light and the time of day. i wanted to create an art work that looks over time as well as working on in the first glance. the first time you come here, you may not see a. but you may be able to see one side over the other. it features a couple of suspended sculptures. each was created out of a series of flat plains run parallel to each other and constructed of steel tubing. it is made up of these strata. as the light starts to shift, there is a real sense that there is a dynamism. it gives the illusion that this cultures might be fragments of a larger, mysterious mass. the environmental artwork livens it with color, light, and the movement.
paint. often, kids use it to decorate their clothes. she has made all these lines of paint. for the pieces we are looking at, is there a core of foam or something in the middle of these pieces that she built on top of? i m not telling. ah, a secret. this silver is aluminum foil, crumbled of aluminum foil. her aesthetic is very much that quiet, japanese spatial thing that i really admire. their attention to the materiality of the things of the world. this is a nice juxtaposition you have going on right now. you have a more established artists alongside and emerging artists. is that something important to you as well? very important in this space, to have artists who really have not shown much. now let s look at other aspects of electric works operation. let s go to the bookstore. ok. in all seriousness, here we are in your store. this is the first space you encounter when you come in off the street. it has evolved since you open here into the most amazingly cur
that is not out in the big gallery. i noticed a lot of artists doing really site-specific work. this is a pile of balloons, something that is so familiar, like a child s balloon. in this proportion, suddenly, it becomes something out of a dream. or a nightmare. may be a nightmare. this one over here is even harder to figure out what the initial material is. this is made out of puffy paint. often, kids use it to decorate their clothes. she has made all these lines of paint. for the pieces we are looking at, is there a core of foam or something in the middle of these pieces that she built on top of? i m not telling. ah, a secret. this silver is aluminum foil, crumbled of aluminum foil. her aesthetic is very much that quiet, japanese spatial thing that i really admire. their attention to the materiality of the things of the world. this is a nice juxtaposition you have going on right now. you have a more established artists alongside and emerging artists. is
this silver is aluminum foil, crumbled of aluminum foil. her aesthetic is very much that quiet, japanese spatial thing that i really admire. their attention to the materiality of the things of the world. this is a nice juxtaposition you have going on right now. you have a more established artists alongside and emerging artists. is that something important to you as well? very important in this space, to have artists who really have not shown much. now let s look at other aspects of electric works operation. let s go to the bookstore. ok. in all seriousness, here we are in your store. this is the first space you encounter when you come in off the street. it has evolved since you open here into the most amazingly curious selection of things. this was the project for the berkeley art museum. it was this is from william wiley s retrospective, when he got up onstage to sing a song, 270 people put on the cat. it is not just a bookstore. it is a store. can you talk u