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IRT delivers a definitive Cyrano de Bergerac


At a time when courting is in global rethink, IRT’s Cyrano de Bergerac offers much more than a diversion about falling in love; we’re gifted with a deep dive into what a loving relationship truly can be if we exercise the capacity to see beyond our own noses.
How, when, emotional intelligence is acquired lies at the heart of this classic drama, with roots in the tale of Beauty and the Beast.
At this point, when COVID-19 requires minimalism, this new three-actor adaptation by playwright Jo Roets effectively strips to the bone the original five-act stage play by Edmond Rostand, recounting 1640s events in France. The play premiered in 1897 at the Théâtre de la Porte Saint-Martin, at a point in time when France was losing its centrality as a world power, and when the industrial age was overtaking romanticism.   ....

United States , Ryan Artzberger , Jeb Burris , Porte Saint Martin , Edmond Rostand , Jo Roets , Melisa Pereyra , Savinien Cyrano De Bergerac , Three Musketeers , ஒன்றுபட்டது மாநிலங்களில் , ஜேப் பர்ரிஸ் , போர்த்தே துறவி மார்டின் , மெலிசா பேரஎய்றா , மூன்று மஸ்கடியர்ஸ் ,

IRT's Tuesdays with Morrie is extended through Feb. 28 | Performing


Scene from Tuesdays with Morrie
Zach Rosing
Being transformed into a story unfolding on a stage, within the space of 90 minutes, is a nod to good theatre. 
Becoming engaged, as an audience member, in an act of transcendence and emerging from the journey in a better body, with  a keener mind, a more spirited sense of self, is being in the presence of great theater.   
I have been experiencing the IRT since the mid-1980s.  Nothing from that store of collective memory glows as does this iteration of
Tuesdays with Morrie. What happens feels so natural — listening to one person share his story of connecting with another person; this is what happened and how it came about — a beginning, a middle, an end, filled with the right amount of humor surrounding sadness. Throughout the storytelling one can nod, yes, yes, this makes sense. You’re a student and he’s a professor, and yes, I’ve experienced ....

Benjamin Hanna , Anglo Saxon , Ryan Artzberger , Henry Woronicz , பெஞ்சமின் ஹன்னா , ஆங்கிலோ சாக்சன் ,

Review: 'Tuesdays with Morrie' at the IRT


Scene from Tuesdays with Morrie
Zach Rosing
Being transformed into a story unfolding on a stage, within the space of 90 minutes, is a nod to good theatre. 
Becoming engaged, as an audience member, in an act of transcendence and emerging from the journey in a better body, with  a keener mind, a more spirited sense of self, is being in the presence of great theater.   
I have been experiencing the IRT since the mid-1980s.  Nothing from that store of collective memory glows as does this iteration of
Tuesdays with Morrie. What happens feels so natural — listening to one person share his story of connecting with another person; this is what happened and how it came about — a beginning, a middle, an end, filled with the right amount of humor surrounding sadness. Throughout the storytelling one can nod, yes, yes, this makes sense. You’re a student and he’s a professor, and yes, I’ve experienced ....

Benjamin Hanna , Anglo Saxon , Ryan Artzberger , Henry Woronicz , பெஞ்சமின் ஹன்னா , ஆங்கிலோ சாக்சன் ,