sung and mara are about to be put to the test as they prepare to perform before a live audience here at la scala. how are you feeling? very, very nervous! but also a bit excited? excited also. very confused emotion. but i really want to make a great show. a chance to put everything you have learned at the academy into practice? today is the day. i am quite nervous but looking forward to singing this beautiful music, i love rossini so much. you have an hour to go, so i had better let you get prepared. good luck. in the uk, break a leg which is very strange, but good luck.
to make a great show. a chance to put everything to make a great show. a chance to put everything you to make a great show. a chance to put everything you have to make a great show. a chance to put everything you have learned i to make a great show. a chance to put everything you have learned at the academy into practice? today is the academy into practice? today is the da . i the academy into practice? today is the day- i am the academy into practice? today is the day. i am quite the academy into practice? today is the day. i am quite nervous- the academy into practice? today is the day. i am quite nervous but - the day. i am quite nervous but lookin: the day. i am quite nervous but looking forward the day. i am quite nervous but looking forward to the day. i am quite nervous but looking forward to singing - the day. i am quite nervous but looking forward to singing this | looking forward to singing this beautiful music, i love rossini so much beautiful music, i love r
as the queen of baroque. i am a curious person, in life, in general, and of course i have done many, let s say, operas which are considered popular. then i was also curious to find out who inspired rossini, who inspired mozart, and of course in order to do that you have to go back and this was fascinating to do this research in baroque music with handel, vivaldi.
the view of this magnificent theatre and i said to the guards, i will sing here in ten years. and i was singing there in less than ten months. so success was rapid forjuan diego and he went on to perform many times at la scala, including as count almaviva in rossini s barber of seville. he is born to be on the stage. he has that amazing stage magic so when he walks on stage you just are gripped by him. in 1997, juan diego began a long and successful relationship with the royal opera house in london. where i too have a connection, as a member of the board. and i have been lucky to see him perform here. he is especially popular for his performance in la fille du regiment by donizetti. his lyric tenor voice, coupled with an impeccable technique, means he is master of the high note.