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Manet's Sources: Aspects of his Art, 1859–1865

From the archives: Michael Fried on Manet ....

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Jordan Kantor on "Manet/Degas" at the Metropolitan Museum of Art – Artforum

“MANET/DEGAS,” the fall blockbuster at the Metropolitan Museum of Art, New York, begins with an unabashed, double-barreled bang: Édouard Manet’s last great self-portrait, paired up alongside one of Edgar Degas’s first. The juxtaposition provides a thrilling object lesson in the stolid compare-and-contrast curatorial methodology that defines the exhibition, but if it’s meant to show the two artists on an equal footing, it doesn’t stage a fair fight. ....

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Yuki Higashino on Patricia Treib – Artforum

Patricia Treib’s pictorial language displays a deep understanding of the grammar of ornament and offers an idiosyncratic take on the process of abstraction. ....

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The Critique of Form (excerpted from Anteaesthetics)

Rizvana Bradley interrogates the fraught relationship between formalism and blackness. ....

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Hal Foster on Hal Foster on criticism then and now - Artforum International

This week, the editors pair two pieces by Hal Foster: his 2012 essay on Artforum’s early years and a new appraisal of The Anti-Aesthetic at forty.“The notion of postmodernism was once a great stimulant to art and thought,” Hal Foster writes in Artforum’s September issue. “Today, it feels like another anti-aphrodisiac of the just past.” The critic’s reflections on the intellectual hothouse that produced The Anti-Aesthetic edited in 1983 by Foster at the tender age of twenty-eight make for rewarding reading alongside his cogent account of the preceding period, now enshrined in the canon of fervid ....

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