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family. he was comfortable and i think there is still, though, this lingering desire to really be recognized correctly in the pantheon of who created rock and roll. this film certainly does that. lisa, thank you so, much it is fascinating. thank you. and here now, the new cnn film little richard: i am everything. ow! man: little richard, it s now 16 years since you had your first hits. oh, yes. do you realize that well, you must realize that at your performances now there are people who weren t even alive when you first began? yes, but i have woke them up now. everybody that wasn t alive when i started and was gone, i have brought the spirit and put it on them. were you always so shy? no, i m not. a lot of people say i m shy, but i let it all hang out, every bit. the love, the gentleness, the tenderness, the kindness. you ain t supposed to hide them. you got it, god gave it, show it to the world. announcer: ladies and gentlemen, if you will, a man who ....
rock and roll. well, this film certainly does that. lisa, thank you so much. it s fascinating. thank you. and here now, the new cnn film, little richard: i am film, little richard: i am everything. captions by vitac www.vitac.cocom ow! man: little richard, it s now 16 years since you had your first hits. oh, yes. do you realize that well, you must realize that at your performances now there are people who weren t even alive when you first began? yes, but i have woke them up now. everybody that wasn t alive when i started and was gone, i have brought the spirit and put it on them. were you always so shy? no, i m not. a lot of people say i m shy, but i let it all hang out, every bit. the love, the gentleness, the tenderness, the kindness. you ain t supposed to hide them. you got it, god gave it, show it to the world. announcer: ladies and gentlemen, if you will, a man who s become a legend in his own time, little richard! [ cheers and applause ] ....
the cnn film little richard is up next. ow! man: little richard, it s now 16 years since you had your first hits. oh, yes. do you realize that well, you must realize that at your performances now there are people who weren t even alive when you first began? yes, but i have woke them up now. everybody that wasn t alive when i started and was gone, i have brought the spirit and put it on them. were you always so shy? no, i m not. a lot of people say i m shy, but i let it all hang out, every bit. the love, the gentleness, the tenderness, the kindness, you ain t supposed to hide them. you got it. god gave it. show it to the world. announcer: ladies and gentlemen, if you will, a man who s become a legend in his own time, little richard! [ cheers and applause ] good golly, miss molly sure like to ball that music, that beat, his voice. the oooh my god, who is that? who is that? can t hear your mama call good golly, miss molly i d never see ....
So this feigned surprise, or maybe genuine surprise, but it was quite clear that it would come to this when you started to see the taliban take territory without having to fight months ago. so no, i m not at all surprised by the speed. once you have enough momentum and have enough weapons, nobody is going to stand up to you and nobody did. so ben, if richard wasn t surprised, why were american officials surprised by the speed? here is why i think so. because often you look at things like what are the numbers of afghan security forces, what hardware do they have. they had better armaments than the taliban, they have an air force that the taliban doesn t have. and you are really looking at sheets of paper. what that doesn t show is what is the sense of momentum in the country, where is the morale. ....
she used her ampersands quite extensively through her writing, so every fifth, sixth line would have an ampersand on it, in her known handwriting, where richard always used the a-n-d for the verbiage and. kittel also noticed that nancy and richard made their capital i differently. richard used one down stroke like a 1, whereas nancy used a down stroke and then a cross at the top and bottom. she was willing to take a lot more time in executing them than richard was. their lowercase fs were different as well. richard used a clockwise motion coming down from the top of the f down to the bottom. he would swing off in a clockwise motion to finish off the lower loop of the f, whereas nancy always came down and went counterclockwise to finish off the f. kittel concluded richard wrote the diary entries about nancy s brother, bill. ....