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Da Vinci Bust Myth Debunked By French Scientists

A Lost da Vinci? Inner Secrets Reveal Bust’s True Origins  Flora, the wax bust depicting the Roman goddess of flowers and spring, was originally purchased by the German curator Wilhelm von Bode in 1909 who claimed it was an original Da Vinci artwork. However, new research published in the journal  Scientific Reports in April 2021 shows that the bust was actually created by the British artist Richard Cockle Lucas in the early 19th century. A team of French chemists uncovered the gaffe when they radiocarbon dated the famous sculpture and discovered that Flora was not made in the 1500s, but was actually created in the 1800s. Flora is currently held in the collections of the Bode Museum in central Berlin and, according to a report in the

Sculpture: Flora bust argued to be by da Vinci wasn t created until 300 years AFTER his death

The wax bust was purchased by the German curator Wilhelm von Bode in 1909  He declaimed it a lost da Vinci obtained under the nose of the London art scene Evidence came to light that Flora was by the British artist Richard Cockle Lucas Yet von Bode stuck to his guns and the exact provenance remained a mystery Now, French chemists have ruled out the notion Flora was made in the 1500s With new radiocarbon calibrations, they have dated the wax to 18–19th Century

Leonardo da Vinci Definitely Did Not Sculpt The Flora Bust

Leonardo da Vinci Definitely Did Not Sculpt The Flora Bust
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Not a Leonardo! Clue to wax bust s attribution lies inside a sperm whale

The bust of Flora may not be Leonardo after all Image: Stiftung Preußischer Kulturbesitz © SMB-SPK A Leonardo, or not? Scholars and scientists are locking horns and the media is frantic. No, they are not fighting over the Salvator Mundi, or even the drawing nicknamed the Bella Principessa. But rather a wax bust of the goddess Flora, bought by the Berlin Royal Museums in 1909 as a work by the Florentine master, sparking controversy around the world. Two years after the purchase, more than 730 articles had been recorded all over Europe, arguing for and against the Leonardo attribution, says Ina Reiche, who led a study proving that the work was in fact more likely by the 19th-century English sculptor Richard Cockle Lucas, or a contemporary inspired like him by Old Masters.

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