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Their kids. do you think i m gonna risk not knowing what happened? no i was gonna find out. so, this story is about a teenage sweetie named daniel. daniel leclerc. it seems everyone in her orbit, young and old, got a boost from her take on life. including your mom rhoda. she was just a funny, with the girl, she stood out, she shined you would notice her. she was always happy, never seen her without a smile on her face. then yells and, sheena, was somewhere between an older sister and a surrogate mom for daniel, danielle was living with and chinos family in hope carolina, while her mother worked her way through a painful divorce in another state. i was like, hey do you mind ....
i can t. i ve got to lose 10 pounds by 8:30. freddie silverman, the head of the network at the time, said val valerie, listen, i m going to spin you off. and i thought, oh my god, i m fired. because spin-off is a term that was originated in the 70s. if we re going to start living together, we ve got to tell each other everything. okay, joe. i want to be married. rhoda and joe s wedding became a huge national event. 52 million people tuned in to see that. suddenly rhoda is in a happy relationship and they didn t know what to do with that. then they had to have her get divorced to try to reboot the show. why did you marry me? just answer me that. why did you marry me? you made me marry you. i feel so funny. it s a matter of trust. oh, she s not going to do it. where does that leave us, where do we go from here? that we ll have to discuss at future sessions. ....
ainsley: ate wreaft out on the tier was. brian: smoked in the office. ainsley: did you watch it my mom watched it dallas and falcon crest. brian: spun off to knox landing. brian: once in a while go back to each other and feel like a elm if a. that s one day you had a idea. you have happy days and laverne and shirley and johnny loves chachi and something else that came out of that like more tell moore gave us rhoda and phyllis. those were the days where shows would give birth. pete: to other shows. brian: why don t we do that anymore? ainsley: dad, who is the prettiest woman in the world when i was about 5 or 6:00 he said linda evans. i said what about mom? it was traumatic to me that he didn t say my mom. brian: linda evans was good. alexa carrington bad. pete: i m way out of my depth here. ainsley: linda had bad moments, too right? ....
good morning, wallace & mcquaid. listen to the way she does that, sam. that s why they made her the president. so angela is an advertising executive on who s the boss? elyse keaton on family ties is an architect. they have these really professional, upscale careers rather than just jobs. those are really powerful fantasies for women in the 80s. as a travel agent, i like to think that i m a little cog in a big machine. a very little cog. in 1986, linda bloodworth-thomason went to cbs and she said, i just want to say what all women are really about, opinionated and successful when given opportunities. linda bloodworth-thomason wrote for m.a.s.h., rhoda, then created an all-female version of the workplace comedy that we had not seen before. i m going to do what i always ....
And i thought, oh my god, i m fired. because spin-off is a term that was originated in the 70s. if we re going to start living together, we ve got to tell each other everything. okay, joe. i want to be married. rhoda and joe s wedding became a huge national event. 52 million people tuned in to see that. suddenly rhoda is in a happy relationship. they didn t know what to do with that. then they had to have her get divorced to try to reboot the show. why did you marry me? just answer me that. why did you marry me? you made me marry you. i feel so funny. it s a matter of trust. oh, she s not going to do it. where does that leave us, where do we go from here? that we ll have to discuss at future sessions. the 70s also had this therapeutic overlay. hi, bob. hi, bob. hi, bob. hello? we decided to make him a psychologist. ....