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Album Review: Kikagaku Moyo Evolve in Live at Levitation

In treading through the annals of rock music, it’s hard to argue that any approach to the genre has been more persistent than psychedelic-rock. From the jangling opening riff of 13th Floor Elevators’ “You’re Gonna Miss Me,” to the outpouring of groups that flocked to Haight-Ashbury in the late- 60s (therein forging a widespread counterculture), to the shoegaze sounds that swept the U.K. throughout the 90s, rock artists have continuously found new ways to interpret the ever-malleable, wide-ranging sound of psychedelic music.
Aside from modern pop’s incorporation ( cough appropriation) of the genre’s aesthetic, the national craze around this music and its culture is clearly not as prevalent as it once was, when thousands of young Americans blew off their middle-class expectations for the Learyology of “dropping out and tuning in.” Since the start of the decade, however, a more subtle independent scene has been brewing thanks to forward-thinking artists like ....

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Year-End List: Albums You Might Have Missed

It goes without saying that 2020 has been a year we’d rather forget an endless feedback loop of disappointment and disaster. It’s further obvious that few have had a more difficult path navigating this mess than the countless number of musicians whose financial and creative livelihoods have been put on an indefinite halt, given their increasing reliance on entertaining large (and preferably jam-packed) gatherings of people.
Yet that isn’t to say these folks have merely gone dormant over the last nine months. Whether adapting to the burgeoning live stream model, shifting their financial focus to physical merchandise, or hunkering down to write and release new music all together, artists across all borders have found new ways to not only get art out into the world for their own sake, but to also provide the rest of us with plenty to cling on to as we sift through our own personal hurdles. ....

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