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Social media. Follow us at cspan history. In 1939, Eastman Kodak company gave newly released kodachrome color film to photographers working for the u. S. Government. American history tv visited the library of congress to meet Beverly Brannan to learn about the collection of color images documenting agricultural life and war production during the Great Depression and world war ii. Beverly in the 1930s, the United States experienced an economic depression and an agricultural disaster. The great drought. People were not able to make a living on their farms. They begin moving other places, looking for a new lands to live on. People were in dire straits. One of the worst hit areas in the economy was agriculture. A Progr ....
The great drought. People were not able to make a living on their farms. They begin moving other places, looking for a new lands to live on. People were in dire straits. One of the worst hit areas in the economy with agriculture. A Program Began under tugwell , who was one of the advisers to president Franklin Roosevelt to document the conditions under which people were living. This is back when we did not have television. We had radio, but a lot of places did not have electricity. So they could not listen to the radio podcast of find out what was going on in other parts of the country. They sent off photographers to take pictures of what was happening and put these pictures into newspapers whenever they could and into magazines, journals, things like that. It was difficult to get newspapers to accept these photographs, because nobody really wanted to face up to what was h ....
Living on their farms. They begin moving other places looking for new land to live on. People were in dire straits. Wasof the worst hit areas agriculture. A Program Began under one of the advisors to president franklin theevelt to document conditions under which people. Ere living this is when we didnt have television. Of folksdio but a lot did not have electricity. They sent out photographers to take pictures of what was happening and they put these pictures into newspapers whenever they could and into magazines and trade journals and things like that. It was difficult to get newspapers to accept these photographs because nobody wanted to face up to what was happening, but lori stryker who was an economist from Columbia University was really persistent. He was the head of this project and went to newspaper offices, contacted newspaper people, magazine people and pushed a ....
Mr. Burns thanks. Its great to be with you. Great to be with all of you. Mary yes, it is great to be here. So we are tasked with looking at the future of american diplomacy and Foreign Policy, but i thought i might look backwards for a moment. How did you get started in this gig . This was early 1980s, you write in your book you were offered a princely salary 21,000. Mr. Burns it seemed like a lot then. Mary yeah, it was in 1980s in washington. And what was the attraction. . Mr. Burns my dad was a career army officer, so i learned to respect Public Service through his experience, as i was growing up. Then when i was 18, just by serendipity, one of my best friends in high schools father was the ambassador of egypt, so i spent time in cairo at an very impressionable age, and that was my introduction and. And then i went to the old u. S. Embassy on groves square and took the wri ....