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May 20, 2021, 1:49 pm · Blueprint Gaming’s Jackpot King progressive jackpot system has just welcomed its latest addition, the hugely popular Eye of Horus Megaways online slot, the iGaming provider announced on Thursday. Eye of Horus Megaways incorporates Big Time Gaming’s epic Megaways mechanic and builds on the success of the all-time retail classic of the same name developed by Reel Time Gaming. The game was crafted for online play by Blueprint Gaming and is now part of the content maker and supplier’s ever growing progressive jackpot slot series. As part of Jackpot King, players who play the game now have the chance to hit one of three pots. Every spin on one of Europe’s top performing first retail and then online slot titles presents players with the opportunity to ....
There is an iconic scene in “Red Dawn” – the original 1984 film directed by John Milius, not the inferior 2012 remake helmed by Dan Bradley: As a history teacher ....
SEATTLE, WA / ACCESSWIRE / May 12, 2021 / ReelTime VR/ReelTime Media (OTC PINK:RLTR) has purchased 100% of LoudMouth Media Inc. from CMBJ. RLTR www.reeltime.com will issue 1.0M shares of Restricted Common ....
On the surface, most vampire films are about predator and prey, monster and victim. The history of cinema is cluttered with fiendish bloodsuckers, with the earliest depiction of vampires dating back to the age of silent films. Bram Stokerâs 1897 novel âDraculaâ gave rise to the most popular cinematic adaptation of vampire literature. More than 200 feature films have been based upon Stokerâs Transylvanian count. The character is commonly portrayed as well-groomed, sophisticated and cultured â a convenient façade the creature employs to conceal his insatiable thirst for blood and power. From the beginning, vampire films have always made use of subtext. Stokerâs novel was a product of a restrictive Victorian society, dealing indirectly with concepts of lust, sexual immorality, and evil. Throughout the 20th century, movie vampires epitomized societal anxieties about sexual, religious, and cultural nonconformity. ....
Dear Hollywood studios: How many times are you going to try to replicate the success of William Friedkinâs âThe Exorcistâ by luring viewers with a promising new spin but ultimately falling back on the same old worn-out tropes? Itâs embarrassing, really: In January, it was âThe Cleansing Hour,â a film directed by Damien LeVeck about two digital media entrepreneurs who livestream bogus exorcisms â until one of their subjects goes off script and everything goes to hell ⦠both for the less-than-sympathetic main characters and for the unfortunate viewer who invested time in watching this disjointed debacle. Now, a mere two months later, we have âThe Seventh Day,â a horror film that follows a new priest fresh out of an American exorcism basic training camp. The newbie joins forces with a gruff veteran exorcist who has more in common with Philip Marlowe than Father Damien Karras. âThe Seventh Dayâ was released March 26 by Ve ....