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If a ballet is remounted eighty-five years later with new choreography, music, costumes, and (obviously) a new cast, but in the same basic setting, is it a revival, or an entirely new production? Matthew Lutz-Kinoy’s Filling Station raised that question in two performances at the Mobil on 8th Avenue and Horatio Street in Greenwich Village, presented by The Kitchen. With his collaborators, Lutz-Kinoy created a new entity connected only by title and rough structure to the 1938 ballet by the same name choreographed by Lew Christensen, with libretto by Virgil Thomson.

New yorkUnited statesWhitney museum of american artNew jerseyGreenwich villageOshae sibleyZoe lattaNick maussRaymond pintoMac kris leeNiall jonesEckhaus lattaLew christensenYanira castroWalter wlodarcyzkRon amstutz