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In Dakar, African Art Speaks in All Its Voices

In its first pandemic-era edition, the Dakar Biennale, Africa’s biggest art gathering, is uneven, hectic and full of possibility. ....

United States , Black Rock , Eastern Cape , South Africa , France General , Woleu Ntem , Republic Of , Vietnam General , South African , Kaloki Nyamai , Binta Diaw , Faustin Linyekula , Aliou Diack , Pascale Obolo , Adji Dieye , Abdoulaye Konat , Tacheda Yonkeu , Nathalie Vairac , Dorcy Rugamba , Tuan Andrew Nguyen , Marie Thiva Tran , Jihan El Tahri , Institut Fran , Caroline Gueye , Nana Oforiatta Ayim , Louisa Marajo ,

EQS-Adhoc: Deutsche Rohstoff AG: Konzernergebnis steigt auf 17,5 Mio. EUR | Newsticker

DGAP-Ad-hoc: Deutsche Rohstoff AG / Schlagwort(e):
Halbjahresergebnis/Prognoseänderung Deutsche Rohstoff AG: Konzernergebnis
steigt auf 17,5 Mio. EUR
06.07.2021 / 19:47 CET/CEST
Veröffentlichung einer Insiderinformation nach Artikel 17 der Verordnung (EU)
Nr. 596/2014, übermittelt durch DGAP - ein Service der EQS Group AG.
Für den Inhalt der Mitteilung ist der Emittent / Herausgeber verantwortlich.

Deutsche Rohstoff AG: Konzernergebnis steigt auf 17,5 Mio. EUR Umsatz und
EBITDA im ersten Halbjahr deutlich über Plan/Erhöhung der Prognose
Mannheim. Der Deutsche Rohstoff Konzern hat nach vorläufigen Zahlen im ersten
Halbjahr 2021 einen Konzernüberschuss in Höhe von 17,5 Mio. EUR (Vorjahr
Konzernf ....

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Artist Sammy Baloji on Colonial Legacies, New Stories and Creating the Lubumbashi Biennale

ArtReview
‘It really comes from a need, it’s about surviving, in a way’
Photo: Sophie Nuytten 2018
Sammy Baloji is an artist and photographer based between Brussels and Lubumbashi. His work mines the memory and history of the Democratic Republic of Congo through the use of archives that he manipulates to highlight the legacy and ongoing impact of the colonial system. He is a cofounder of the Lubumbashi Biennale, which had its sixth edition in winter 2019. His solo show
Kasala: The Slaughterhouse of Dreams or The First Human, Bende’s Error at Galerie Imane Farès, Paris, is on view until 6 March 2021. ....

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Old Stories, New Experiences: Dhaka Art Summit 2020

ArtReview
Bharti Kher, ‘Intermediaries’, 2019–20 (installation view, Bangladesh Shilpakala Academy, Dhaka). Courtesy the artist; Nature Morte, New Delhi; Samdani Art Foundation, Dhaka; and Perrotin, Paris, New York, Hong Kong, Seoul, Tokyo and Shanghai
It’s been a long time since the biennial Dhaka Art Summit took place in February this year. In more ways than one. The fact that it was titled Seismic Movements, a play on the notion of the summit as being something geological as much as social and political (or ‘how the world is moving and how we move in the world’, as the summit’s chief curator, Diana Campbell Betancourt, put it in her introduction in the catalogue – a theme that seemed to be summed up by Bharti Kher’s ....

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