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Laxmikant-Pyarelal | The best of Laxmikant-Pyarelal s Hindi film music from 1960s to 1990s

Through the four decades that they ruled Hindi film music, it is not possible to see Laxmikant and Pyarelal in isolation

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Laxmikant-Pyarelal | Laxmikant s daughter on Padma Bhushan to Pyarelal: It should have been for both

Pyarelal, one half of the iconic composer duo Laxmikant-Pyarelal, was announced as a recipient of the Padma Bhushan on the eve of Republic Day

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It should have been for both Laxmikant s daughter on Padma Bhushan to Pyarelal

(This story has not been edited by THE WEEK and is auto-generated from a PTI

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It should have been for both: Laxmikant s daughter on Padma Bhushan to Pyarelal : The Tribune India

It should have been for both: Laxmikant s daughter on Padma Bhushan to Pyarelal : The Tribune India
tribuneindia.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from tribuneindia.com Daily Mail and Mail on Sunday newspapers.

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Hindi film music: Laxmikant-Pyarelal s story is as much about friendship as it is about their tunes

Play Their sound from those early years is fresh, sunny and sweet on the ear. Aayiye Bahaar Ko Hum Baantle, P yaar Baantte Chalo, aago Prabhat Aaya and N eend Kabhi Rehti Thi Aankhon Mein are some of my favourites from that time. Even in those early years, L-P showed a refined musical sensibility, a strong grip of story, situation and characters, and a penchant for long preludes and rich orchestration – aspects that would remain their hallmarks for most of their career. And they didn’t compose just easy-breezy romantic numbers; some of their best classical work is from that time.

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