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Deepa Mehta s Fire arrives advertised as the first Indian film about lesbianism. Among other recent Indian productions (according to the Hindu, the national newspaper) are films about tranvestism, eunuchs, sadomasochism and male homosexuality. Along with Mira Nair s Kama Sutra: A Tale of Love  released earlier this year, Fire seems to be part of a new freedom in films from the subcontinent. Both of these films, directed by women, resent a social system in which many women have no rights. Neither is an angry polemic; the directors cloak their anger in melodrama, in romance, in beautiful photography, and in the sort of gentle sexuality that is often more erotic than explicit, if only because it allows us to watch the story without becoming distracted by the documentary details.

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