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of grief and how it works. do you think you there is a depressive side to your personality which does actually overfocus on loss and death? yes, i think that s true. less so now. when i was younger, i was like hamlet well, in one or two ways but i was obsessed with it, actually. and i think i think it did colour my thinking and my view of the world, but it still does actually. but i m much more interested in life, actually. but you cannot be interested in life without being aware of the shape of life, and what shapes life is its beginning and its end. you ve also said, i think recently in talking about the book and what it means, that you reached a point where you were tired of fighting the activist fight to change society. yeah. and it is interesting to me now that one of the things you are doing, and very successfully doing, is writing the most quintessentially english crime novels,
and it is interesting to me now that one of the things you are doing, and very successfully doing, is writing the most quintessentially english crime novels, which aren t particularly challenging but sort of provide a sort of comfort food for the mind for a lot of people. well, that s interesting because i mean, i think i like to deal with that stuff but actually, i m also a bit more disruptive than that, but i try to do. i love emily dickinson, one of my favourite poets. and she said, tell all the truths, but tell it slant. success in circuit lies. and i m really interested in how you talk about these ideas. talk about change, the possibilities of change in ways that are not so directly confrontational because there s no shortage of confrontation, mr hardtalk, as you know. stephen chuckles and actually, i m not really interested in that and i do find that there s a cost to activism. and it is this thing you strap on armour every day, you go out into the world and you fight what you
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