Spanning work from the mid-1990s through today, “My Veins Are the Wires, My Body Is Your Keyboard” covers Harvey’s many collaborative Web-based works, her 2000s turn toward nonviolent, open-ended narrative video games, and her recent return to a solo sculptural practice.
However hard it is to expand the canon, legwork must always be done. In my own time I've seen the understanding of mid-century Japanese cinema expand, however marginally, from Kurosawa alone to Ozu and Mizoguchi; it may be now that we place room for their contemporary Hiroshi Shimizu, whose films are subject of a two-part,