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'It's the gallery staff I worry about': Damien Hirst's Gagosian takeover – review | Damien Hirst


Last modified on Tue 13 Apr 2021 07.26 EDT
Damien Hirst has begun a year-long “takeover” of the echoing concrete-floored spaces of Gagosian Britannia Street. There’s even a readymade hashtag #HirstTakeover, like a cry for attention. I can’t see how a year-long exposure in a single commercial gallery can be good for any artist, but with Hirst showing something somewhere all the time anyway, I don’t suppose it will stretch him too much. It is the staff at the London gallery I worry about. The works will be changing over the year, but no details are available.
The works filling the gallery presently come under the rubric of Fact Paintings and Fact Sculptures, and span more than 20 years between 1993 and the present. The earliest work is a cow’s head, with tongue lolling, bleeding quietly on the gallery floor. If it is blood (there might be health and safety issues if it is). More likely it is resin. Called Hot Love, I’m not sure about the he ....

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