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reporter: perhaps the biggest challenge is that schulz never planned for the characters to be seen in three dimension. we built a character if we built a character that worked at all angles, it didn t look faithful to charlie brown. we built specific head poses for the angle that he drew them at. reporter: six poses to be exact. ooh! we have a profile left, sparky left, sparky right, profile right, up when they yell, and then looking down like when he s riding. that s it. snoopy is the most complicated character we have ever built here at blue sky. it s like animating picasso really. it is. reporter: for director steve martino and his team, having charles schulz s son and grandson as writers on the film made staying true to the characters easier. schulz s son was particularly influential for this scene craig schulz is a pilot. he owns a biplane that s a lot ....
Right. we can change the shape of the eyes themselves. reporter: they use emotive lines to the side. did you try different kinds of eyes? we actually tried at one point just 3-d eyes and we were all horrified. reporter: schultz never planned for these peanut characters to be seen in three dimensions. if we built a character from all angles, it didn t look true to charlie brown. we drew several poses that they looked good at. reporter: six poses, to be exact. profile left, profile right, looking down like when he s writing. that s it. snoopy is the most complicated character. reporter: it s like animating ....