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How an artist reuses 'failed paintings' by stitching them onto new ones.

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Kate Barbee, “Nesting,” 2021. Oil paint, quilted scraps, oil pastel, embroidery thread, yarn, and cold wax on canvas. 96 x 120 inches.
Image courtesy of the artist and Kohn Gallery.
This week’s art picks include an artist who gives failed paintings a new life as stitched-up pseudo-Cubist forms; a new design-focused gallery lights up Chinatown; and paintings that use palindromes to create stunning patterns.
Kate Barbee, “Blue Moon,” 2020. Oil paint, cold wax, quilted pieces, embroidery string, and oil pastels on canvas 60 x 50 inches. Image courtesy of the artist and Kohn Gallery.
A new exhibition of paintings by Kate Barbee abandons the precious sanctity of the canvas. In rosy paintings, figures swirl and mingle, limbs jut out at impossible angles. Just as her figures are deconstructed in a pseudo-Cubist style, her paintings too are cut apart and then stitched back together. The artist approaches each n ....

Victor Prieto , Kate Barbee , Xylor Jane , Ruth Bader Ginsberg , Simphiwe Ndzube , Parrasch Heijnen , Bennet Schlesinger , Sara French , Prime Palindromes , Chung King Road , Los Angeles County Museum , வெற்றியாளர் ப்ரீடோ , கேட் பார்பி , ரூத் கெட்டவர் ஜின்ஸ்பெர்க் , பார்ரஸ்ச் ஹெய்ஜ்னென் , பென்னட் ஶ்லெஸிந்‌ஜர் , சாரா பிரஞ்சு , சுங் கிங் சாலை , லாஸ் ஏஞ்சல்ஸ் கவுண்டி அருங்காட்சியகம் ,

Parrasch Heijnen opens an exhibition of new works by Xylor Jane

Parrasch Heijnen opens an exhibition of new works by Xylor Jane
Installation view.
LOS ANGELES, CA
.-Parrasch Heijnen is presenting Back Rub / Foot Rub, an exhibition of new works by American artist Xylor Jane (b.1963, Long Beach, CA). This is the gallerys second solo exhibition with the artist.
Janes exploration of unique phenomena found in numbers and patterns produces delicately layered tessellations that achieve mesmerizingly intricate precision. The artists paintings on panel reflect a controlled form of chaos utilizing ideas similar to that of pointillismweight is added in the density of marks, culminating in a complexly resolved image. The labyrinthine forms are highly evolved constructions utilizing numerical systems sectioned within each panel. Jane either methodically plans out each panel beforehand or begins with problematic compositions that resolve through her experimental process. ....

New York , United States , San Francisco Art Institute , Long Beach , France General , Santa Monica Museum Of Art , Santa Monica , Los Angeles , Almine Rech , Ken Price , Reggio Emilia , Collezione Maramotti , Xylor Jane , Parrasch Heijnen , Justice Ruth Bader Ginsburg , Los Angeles Times , New York Times , Art Forum , University Museum Of Contemporary Art , Back Rub , Foot Rub , Order Magic Square , Sync Swim , Prime Palindromes , Moon Dragon , Geometric Cup ,