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Growing up wanting a career on the stage, <strong>Julia Faragher </strong>quickly learned how limited her roles would be. A new production of Laurinda gives her hope ....
Directors and designers can collaborate remotely in a virtual space. iDesign allows directors and designers to test out their ideas in the digital twin of the entire theatre environment. UNSW Sydney Scientia Professor and Australian Research Council (ARC) Laureate Fellow Dennis Del Favero at UNSW Arts, Design & Architecture is leading the development of the iDesign platform, enabling the creation of a digital twin of a real theatre production design. The revolutionary prototyping platform assisted Sydney Theatre Company (STC) in the early stages of developing a production while the theatre itself was still under construction. The production, Playing Beatie Bow, launched STC’s newly renovated Wharf Theatre at Walsh Bay Sydney in February. ....
Normal text size Very large text size Exactly a year ago, when Australiaâs theatres all abruptly went dark, Michael Cassel, executive producer of Harry Potter and the Cursed Child in Melbourne and the upcoming Hamilton at Sydneyâs Lyric Theatre, started planning for his worst-case scenario. âWe thought, OK, letâs hope itâs a couple of weeks â but maybe itâs a month,â he says. As a result of the pandemic, they had already cancelled their Lion King international tour scheduled to open in Wuhan, of all places. Now âthere were zero dollars coming in to pay the cast and crew on production, zero dollars for our company [Michael Cassel Group] to keep everybody employedâ. ....
One year after COVID-19 lockdowns, how is Australian theatre faring? smh.com.au - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from smh.com.au Daily Mail and Mail on Sunday newspapers.
Review: Playing Beatie Bow, directed by Kip Williams. Playing Beatie Bow is the coming-of-age story of the teenage Abigail who, from her home in Sydney’s The Rocks, slips back in time to 1873. Here, she is taken in by the Tallisker/Bow family, immigrants from the Orkney Islands who run a confectionery shop. Abigail finds herself cast as the mysterious “Stranger” the subject of a Tallisker family prophecy which she must enact before she is able to return to her own time. In adapting Ruth Park’s 1980 novel for the stage, Kate Mulvany carries forward Park’s detailed, loving attention to the city of Sydney and the lives that play out within it. Her adaptation thrums with heart, humour and a sense of creative legacy. ....