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DANIEL HESIDENCE’S PAINTINGS insist that we become aware. How does a painting insist? By offering a hitherto unimagined shape or form an idea, really brushed, scraped, mashed, or detailed, and through its sheer unfamiliarity demanding a response. Just to get that response requires heeding one’s own beguilement. You must pay attention. And getting an object to elicit that attentiveness is no easy feat. Hesidence has to tune in to himself, trancelike, to receive what is not immediately available to him. He says, “The more someone makes, the closer they get to an acute awareness of what’s out

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