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THE READYMADE AND THE TUBE OF PAINT

IT TOOK MARCEL DUCHAMP exactly one year, from Sonate (Sonata) in August 1911 to Mariée (Bride) in August 1912, to make his way through Cubism. He had been a rather…

10 Questions With... Louis Durot

French artist and chemist Louis Durot talks about the evolution of his whimsical forms, his upcoming autobiography, and advice from a brief run-in with Picasso.

ELECTRIC AFFINITIES

Molly Warnock on the art of Chryssa - Artforum International

SPEAKING AT NEW YORK UNIVERSITY in January 1968, the artist Chryssa detailed a disposition toward creative practice that she described as the “cool mind.”1 The term served to telegraph, via contrast, her disdain for certain endeavors aimed at bridging art and life all of which, in her view, simply reproduced the disordered flux of the “human pattern.” Of particular concern was what she cast as the fundamentally regressive credo of Happenings, with their freewheeling yet ultimately pointless amalgams of things and deeds: “Let us let things happen.” The cool mind makes things happen, eschewing “

The faces become StraVolti in the Milanese exhibition of the artist from Catanzaro Marcello Sèstito

The faces become StraVolti in the Milanese exhibition of the artist from Catanzaro Marcello Sèstito
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