you don t want it after you get what you want, you don t want it. that s a perfect number because that s really her story, too. because after you get what you want, you don t want what you wanted she had money and the lights and the costumes and the fans. but there was something missing. she doesn t want to be stuck at fox making stereo type movies. i could have sworn you were a dramatic actress. i think that s impossible. what i d like to do is to be a good actress. when you want that, you re not necessarily going to find it in hollywood. there s no business like show biz opens to great fanfare. but marlyn is nowhere to be seen. marlilyn monroe didn t show p for her own movie premiere. her mind and life were already somewhere else. she is incognito. she was in a big black coat sneaking away to start a life in new york. she didn t tell anybody anything and nobody knew. marlyn walked out as a decoloration, of independence. she wanted control of her
[ sound of gunfire ] as far back as i can remember, i always wanted to be a gangster. goodfellas is like, fasten your seatbelts, i m going to kick the shit out of you for two and a half hours and you re going to love it. there have been so many gangster movies, so many mob movies. is it really possible that in 1990 martin scorsese will be able to make a gangster movie that has something to say that hasn t already been said a million times? it s going to be a good summer. and you watch the movie and you re like, yeah. see you later, thanks. what are you doing? you re leaving your car? he watches the car for me. we tried to capture the exuberance of that world. it s dangerous and threatening, but they re having a wonderful time. over there. oh, thanks a lot. goodfellas was the nuts and bolts of the mob. it was the mob as a job. what do you do? what? what do you do? i m in construction. and the balance of these two families, of your mob
robinson, apparently tired, punched fairly well and rocked jake right to his heels. come on, ray. a director and actor finds a story at the right time in the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. raging bull is a great title. the film fulfills the promise. the reality of the boxing and the great slow motion, all of the black and white gore, the violence of the flush bulbs going off. when he designed the movie, marty purely, he didn t pickup a clutch on the film. there s no clutch. hey, ray, you never went down, ray. you never got me down, ray. it s a boxing movie for people who don t like boxing. because it s really not about that. it s about this man who was based on a real person who is really at war with himself. come on. harder. harder. i didn t really understand boxing, but the character was interesting. he was just so contraire, as they say. he was
it just wasn t real. there s sociopath. they re pretty big ones. chilling new details. evidence never broadcast before. a letter too dark to imagine. this is so out of the norm. something is going on in that house. did they kill in cold blood? or crippling fear? it was gut-wrenching. i want to boss the door. down they spoke the truth about what it happened. hear from the brothers themselves. people were afraid of him. let s go through this bit by bit. there was no way he was going to silence destroyed our whole family. . here was, the shining symbol of their success. an address where the other long struggle. there are amazing rise. beverly hills california. careful what you wish for. . all these years later. it s still the case that has the power to shock its beverly hills it s the movie business. it s kids killing their parents. would possess those two handsome young, men who had been given everything. they got pretty much what they wanted.
this is a transaction. magnificent. the female power that she s harnessed is phenomenal. she s arching her back, and her arm is up to create beautiful lines, beautiful angles. they look like 19th century nudes. she wasn t afraid of showing off her body, which was a great body. but it s easy to forget what a conservative country america was. nude modeling was not considered respectable. it could have ended her career. are you sure they won t recognize me? he said, i promise. this is hollywood. this is a symbol for magic, entertainment, and make-believe. after love happy, marilyn thought she was on the brink of stardom. she s done it. she s there. but it doesn t happen. it s like marilyn is just another blonde girl. but one thing that all the great movie stars shared was determination. so of course she went back and tried again. a savvy 23-year-old marilyn is preparing for a photo shoot. marilyn was out of contract, and so she decided that she need